Doctor Who - Tender Times Are A Coming!

I joke but yes, a few months ago upon this year's Christmas special of Doctor Who getting cancelled this news has resurfaced.

Officially announced a few days ago, any production company can shoot their shot and pitch ideas on how to revitalise the show for a modern audience. While there are no specifics on casting for the 16th Doctor or even episode counts, there's a desire to try to get the show back in production by 2028/2029 as well as a possibility of it continuing to film in Cardiff. With any luck, this hopefully will see a positive change for the show moving forward. I'll post more concrete news as it presents itself.

While the main show itself might off air, the multimedia event saga also known as Circuit Breaker has had Jo Martin's Fugitive Doctor rather busy and has been single handledly keeping the Doctor Who social pages mostly alive. Better than that, this event has brought about the much welcomed return of Freema Agyeman's Martha Jones. You can read the Fugitive Doctor and Martha's reunion in the books The Kaleidoscope by Jo Martin and the short story The Doctor And The Three Witches in Time Lord Fairy Tales.

Last but not least, it's been over nine months since BBC1 released spinoff series, The War Between The Land And The Sea. According to Russell Tovey, who played Barclay Pierre-Dupont in the show, Disney+ will supposedly release it in 2027. The latter themselves have yet to comment on this. Personally, I'm not holding my breath and I suspect anyone outside the UK/Ireland who has wanted to see this show already did through other means.

I'll keep posting further updates on the Whoinverse when they become available.

My Review of Tony (2026)

 

Written by Matt Johnson And Matthew Miller And Todd Bartels And Lou Howe

Directed by Matt Johnson 

Tony: "You know I can cook too."

Okay, I've watched enough horror, spies and axe murderers this week, so I thought I'd opt for something different. You know, a biopic on a recently deceased chef with a promising actor from an Oscar nominated movie in the lead role.

Yup, I'm talking about this take on the celebrated Anthony "Tony" Bourdain with Dominic Sessa in the lead role. This film would cover a small portion into Bourdain's life. Think of it as an origin story of sorts.

The portion being Bordain wanting to be a writer and applying to a writing fellowship in New York City. This was something he had no problem using in trying to impress a girl named Nancy (Emilia Jones) with mixed results. His own parents on the other hand - Pierre (Rich Sommer) and Gladys (Dagmara Domińczyk) were a bit trickier to get around.

Anyways, Tony didn't get the fellowship, so he got blind drunk, got mugged and conveniently ended up in Provincetown where he "forgot" that Nancy also happened to be. Then he ended up in the 1970s version of The Bear while figuring his shit out and hooking up with Nancy. 

The movie did liven up a bit with characters like Chef José Vatel (Antonio Banderas) and restaurant workers such as Sal (Leo Woodall), Stavros (Stavros Halkias) and Mary (Monica Raymund). As characters, they're a mixed bag but they certainly do humble and challenge Bourdain within the film itself.

Things did move along as Anthony had a thing with Nancy that was built on lies while his writing aspirations also didn't waver. The end scene really did feel like it should've been the beginning of a more detailed look into the man's life.

- Originally this did start out as a Black List script before it was pitched to Matt Johnson.

- There's a cameo appearance from Eric Rupert, who appeared at the end.

- Standout music: Eric Burdon and War's Magic Mountain.

- Chronology: 1975 and 1979 in New York and Provincetown.

Tony made for an undercooked biopic on the late Anthony Bourdain. Dominic Sessa did give a commendable lead performance and there's fine support but not enough to make this risible.

Rating: 6 out of 10 

My Review of The Man With The Golden Gun (1974)

 

Written by Richard Maibaum And Tom Mankiewicz

Directed by Guy Hamilton 

James Bond: "I admit killing you would be a pleasure."

Francisco Scaramanga: "Then you should have done that when you first saw me. But then, of course, the English don't consider it sporting to kill in cold blood, do they?"

James Bond: "Don't count on that."

After the rather disappointing Live And Let Die (1973), I'm pleased to say that Roger Moore's second outing as James Bond was far more enjoyable. The presence of a certain also helping the matter.

Let's talk about the title villain, shall we? Whoever decided to cast horror icon Christopher Lee as assassin Francisco Scaramanga deserves a raise. He's utterly brilliant in this role as the three nipple baddie with a golden gun and bullets to boot.

He played off Roger Moore's Bond brilliant, proving to be quite the credible threat to 007. His use of subterfuge almost worked on Bond until it didn't. I even felt a little bad when he was defeated. I would've liked him as a returning threat to James.

Then there was Scaramanga's diminutive manservant, Nick Nack (Hervé Villechaize). He's another standout character and in spite of his stature, he certainly knew how to keep James on his toes. Once again, I even felt bad for him when he was outsmarted by James at the end of the film.

As for the love interests in the film - did James really have a serious relationship with Mary Goodnight (Britt Ekland)? It was certainly an improvement on what was seen with him and Solitaire from the previous movie. There was some genuine sparks between the two of them.

I couldn't end this review without mentioning the most incredible character that James spent time with in this film. I'm talking about Louisiana sheriff J.W. Pepper (Clifton James). Talk about a fun character to have while James was trying to rescue Goodnight and stop Scaramanga's whole plan.

- Maud Adams appeared as Andrea Anders, the girlfriend of Scaramanga. James had no problem threatening her to get to him.

- Moneypenny seemed a bit cooler with James than she did in previous films.

- Standout music: John Barry's The Man With The Golden Gun.

- Chronology: Largely set in Thailand as well as scenes in London, Beirut and Macau.

The Man With The Golden Gun was definitely a marked improvement for Roger Moore's second outing as James Bond. Throw in some great support from Christopher Lee and Britt Ekland and this one's a winner.

Rating: 7 out of 10 

My Review of Jaws: The Revenge (1987)

 

Written by Michael de Guzman

Directed by Joseph Sargent 

Michael: "Dad died of a heart attack!"

Ellen: "No. He died from fear. The fear of it killed him."

Okay and I thought the worst sequel in 1987 was Superman IV: The Quest For Peace. I guess I was wrong, huh? Yup, this one really stank out the waters, huh?

A part of me has to wonder why these sequels insisted on continuing with the Brody family when it would've made more sense for each sequel to have featured different groups of people and in different locations.

Off screen, the hero of the first movie Martin Brody died, leaving his wife, Ellen (Lorraine Gary). If she wasn't a fan of the water beforehand, Martin's death along with youngest son, Sean (Mitchell Anderson) being killed early in the movie didn't improve her mood.

Older son, Michael (Lance Guest) took the lead once again and this time he had a wife named Carla (Karen Young) and daughter named Thea (Judith Barsi) to provide for. It turned out that Michael's previous shark encounters have done little to deter him from the waters. Even his family couldn't get him out of it.

There's conflict between Michael and Ellen over the latter believing the family was essentially cursed and also her budding romance with the rather valued, Hoagie (Michael Caine). I was actually shocked to see Caine in this movie.

Anyways, there's actually a good supporting performance from Mario Van Peebles as Michael's co-worker, Jake. He's actually a good friend/foil to Michael and even managed to survive nearly being mauled to death by the shark in question.

The third act was probably the strongest part but also felt like it was going through the motions with both Michael and Ellen having to resolve their issues and survive being shark food. Of course they made it out of this one alive.

- There's some archive footage of Roy Scheider from the first movie used in this film.

- Jake died in the original cut but kept alive in the revised ending.

- Standout music: Stacy Lattislaw's Nail To The Wall.

- Chronology: Set during the Christmas and New Year's period on Amity Island and the Bahamas.

Jaws: The Revenge might be one of the most boring sequels to any franchise going. Dull, lifeless and incredibly dreary from start to finish. Watch it if you're a completing, otherwise don't bother.

Rating: 4 out of 10 

My Review of Monster: The Lizzie Borden Story (Netflix Series, 2026)

 

Written by Ian Brennan

Directed by Max Winkler And Sarah Adina Smith

Lizzie (to Bridget): "Just let me have the first whack."

In the previous three seasons of Monster/s, we've seen audiences being wholly divided on the handling of Jeffrey Dahmer, Lyle and Erik Menendez and Ed Gein. It was definitely time to tackle an infamous American female killer. Funny how two of them factor into this fourth season with mixed results.

Over the last few months, I've watched some other depictions of Lizzie Borden in preparation for this show. Ella Beatty isn't a stranger to the world of Ryan Murphy as she's previously appeared in Feud: Capote Vs. The Swans and acquitted herself well there. She's finely cast here as Lizzie Borden herself but if I'm being honest, she's slightly upstaged by Vicky Krieps's constant hair changing Irish maid, Bridget Sullivan.

Krieps might be the ultimate standout of this season as a whole. As Bridget, there's the impact of her relationship with Lizzie, which did of course go down the Sapphic route between the two of them. She's also instrumental in the brutal deaths of Lizzie's father Andrew (Charlie Hall) and stepmother Abby Borden (Rebecca Hall). Oftentimes, I felt like I knew Bridget more than I knew Lizzie.

On top of that, Krieps also spent half the season playing the sadistic and bloodthirsty Countess Elizabeth Bathory. She's just as effective in that role as she was as Bridget. The more I think of it, the more it's clear that Krieps was the standout performance of the whole season.

While the Elizabeth Bathory plot managed to tie into Lizzie Borden's story better than expected, I'll admit the use of Aileen Wuornos was more of a mixed bag. Sarah Paulson gave the sort of performance that was solid work but some of the dialogue that tried to draw parallels between Aileen and Lizzie was very clunky at times. It didn't quite land as it should've done.

Getting back to Family Borden. Yup, they were a lot. Abby behaved like the typical evil stepmother while Andrew barely tolerated his daughters and second wife. Emma Borden (Billie Lourd) didn't care for Lizzie until the script needed her to and abandoned her when the script also required her to do so.

Then there's estranged uncle John Morse (Joey Pollari) himself. He's a guy who desperately wanted money he felt he was owed and tried and failed to be a foil to both Andrew and Lizzie at different points. There's a brief encounter with Abby that added little value to proceedings before he slipped out of the picture as quickly as he entered.

Another character who was a mixed bag was stage actress Nance O'Neil (Jessica Barden). I found the character grating to begin with but she won me over with the way she trained Lizzie for that trial. One of the campest performances in the entire season.

Now this had me thinking as well. The first three seasons were dead serious but tonally, it felt like this season was riffing the likes of Killing Eve and Fleabag. The season tried to say a lot about female rage and even ended on voting rights for women. It's handling of such topics aren't bad but definitely could've been tackled a little better.

- Episode titles are Bloodbath, Strong Kitty, Whack Job!, R.I.P. (Rest In Pestilence) Abby Borden, 41, Bed And Breakfast, The Trial Of The Century and Carnival.

- Andrew named all of his axes after women while John named his knives after men. John being a suspect was briefly referenced in the last episode.

- Other noteworthy performances were from Jessica Lee, Ari Graynor and Linda Reiter.

- Cherries were referenced a lot with the likes of Lizzie, Bridget, Abby and John all being fond of them. Both the fruit and the trees.

- Standout music: The Runaways Cherry Bomb, Bronski Beat's Smalltown Boy and Natalie Merchant's Carnival.

- Chronology: 1892 to 1911 in Falls River, Massachusetts as well as Montana. There was also 1500/1600s Hungary for Elizabeth Bathory and 1980s/1990s/2000s for Aileen Wuornos.

I think Monster: The Lizzie Borden Story was definitely an improvement on the previous season but not as strong as the first two seasons. It had things to say about female rage, prisons, misogyny and so on but the messages don't quite land the way they should. Ella Beatty was a good casting choice for Lizzie Borden but it's Vicky Krieps's dual roles of Bridget Sullivan and Elizabeth Bathory that was the standout of this season.

Rating: 7 out of 10 

My Review of Live And Let Die (1973)

 

Written by Tom Mankiewicz

Directed by Guy Hamilton

Solitaire: "Where's Kananga?"

James Bond: "He always did have an inflated opinion of himself."

It's a new era of James Bond. After six movies of Sean Connery (with one still on the horizon) and one adventure with George Lazenby, I'm on to the Roger Moore era of this franchise. This was a mixed bag of a start.

There's no doubt that Roger Moore would go on to be seen as successful as his predecessor but I'm not so sure if elements of this film have aged too well. It's certainly stereotyping in a way.

There's a slew of agents being killed off, which made up the first few minutes of this film. In different locations too. Take in the small Caribbean nation of San Monique and James had a dictator named Dr. Kananga/Mr Big (Yaphet Kotto). He's also a drug lord and not above sacrifices to boot.

One of the most memorable members of Kananga's posse was his psychic Solitaire (Jane Seymour). She can see things when the plot called for it and it took very little for her to seduce and betray James when the plot suited it. Kananga was also rather possessive of her and didn't take Kindly to the idea of her and Bond together. Kananga only tried and failed to kill both of them.

As a villain, there's a good performance from Yaphet Kotto and he's a physically imposing threat to Roger Moore's Bond. I just wish the writing for him was a lot more nuanced than it actually was. It's very stereotypical and not always in a good way.

Keeping with the unfortunate stereotyping - what was up with junior CIA agent, Rosie Carver? Despite a very charismatic performance from Gloria Hendry, she might be one of the worst written Bond girls I've seen so far and she's given a rather undignified death to boot.

- The son of Quarrel appeared in this film as did Moneypenny, Felix and M at different points. 

- Kananga's henchman was actually Baron Samedi (Geoffrey Holder) who also popped up to cause problems for James.

- Standout music: Paul McCartney Live And Let Die.

- Chronology: Scenes in both New York and the Carribean for this one.

Live And Let Die makes for a middle of the road debut for Roger Moore's James Bond with some of the film really feeling stereotypical and dates in parts. I wanted to like this one a lot more than I actually did. A tad disappointing.

Rating: 6 out of 10

My Review of Jaws 3-D (1983)

 

Written by Richard Matheson And Carl Gottlieb And Guerdon Trueblood

Directed by Joe Alves

Mike: "White sharks are dangerous. I know 'em. My father, my brother, myself. They're murderers."

It's usually around this time in a horror, there's an attempt to switch up the leading protagonist. This film ditched Martin Brody (kind of) and instead moved the focus on to his oldest son, Michael (Dennis Quaid).

Michael's older than we last seen him and he's got a girlfriend named Kathryn "Kay" Morgan (Bess Armstrong). Both of them are working at SeaWorld Orlando and once again, the great white shark would present itself as a major problem.

This time around you've got some cute dolphins also chucked into the mix but the mama shark who's not happy with the treatment of her baby was the star attraction. Those human really don't learn a damn thing, huh?

It's a sprawling and messy third outing with Michael and Kay as the main heroes of the piece. There's also the return of Sean (John Putch) and his girlfriend, Kelly Ann Bukowski (Lea Thompson), making up a younger group of protagonists compared to the first movie.

There's a few decent kills throughout the film, particularly with characters like Overman (Harry Grant) and FitzRoyce (Simon MacCorkindale). Once again, the shark got a rather explosive ending, finishing this film on a bloody note.

- The studio forced the inclusion of both Mike and Sean, which the writer thought was dumb. 

- I have to laugh at Roy Scheider making himself unavailable to be a part of this movie. He made the right call there.

- This was in an early cycle of 1980s movie to use 3D technology.

- Chronology: A few years since the events of the second movie and set in Orlando.

Jaws 3-D isn't a good movie. It's pretty trashy and most of the cast do look like they'd rather be anywhere else. There's a few entertaining moments but not many to save it.

Rating: 5 out of 10 

My Review of Diamonds Are Forever (1971)

 

Written by Richard Maibaum And Tom Mankiewicz

Directed by Guy Hamilton 

Blofeld: "Right idea, Mr. Bond..."

James Bond: "...But wrong pussy."

After a taste of a different Bond, we're back to Sean Connery for his penultimate take in the role and it's a rather vengeful version of the character.

Already I love the fact that the events of On Her Majesty's Secret Service formed the spine of this film. Tracy's death did a number on James and he was determined to make Blofeld (Charles Gray) pay for it. 

Of course given the title of this movie, diamonds were also a big thing here. There's a mission that involved Bond impersonating a diamond smuggler to infiltrate a smuggling ring. Blofeld also wanted diamond to build a space based laser weapon.

There's a genuinely funny in the film where Bond managed to convince others that he himself had killed James Bond. It's one of the best moments. There's also a plot involving Blofeld lookalikes in which James killed one of them. That was also particularly daft to watch.

Blofeld in these movies has increasingly become a great thorn in James's side and their confrontation here had a nice sense of finality. Was this genuinely the end for Blofeld? It certainly appeared to be. As a villain he had a good run of film and multiple actors playing him. This was probably the best time to take the character out of the equation.

As for the Bond girls, there's diamond smuggler Tiffany Case (Jill St. John) and Plenty O'Toole (Lana Wood). The latter's only memorable moments was landing in the pool while the former was a bad girl that sort of reformed while having to ally herself with Bond. After Tracy, I don't think either stood out as well as they could've.

- Again there's some good supporting moments from both Felix and Moneypenny in this movie. Bond also got his backside handed to him by Bambi and Thumper.

- Charles Gray previously played Henderson in You Only Live Twice.

- Standout music: Shirley Bassey's Diamonds Are Forever.

- Chronology: Las Vegas and California for most of the film.

Diamonds Are Forever was an enjoyable follow up to the previous film and marked a good ending to one of his most enduring enemies. It's also got one of the best theme tunes from the entire franchise.

Rating: 8 out of 10 

My Review of Hitchcock (2012)

 

Written by John J. McLaughlin

Directed by Sacha Gervasi 

Alfred: "I will never find a Hitchcock blonde as beautiful as you."

Alma: "Oh, Hitch. I've waited thirty years to hear you say that."

Alfred: "And that my dear, is why they call me the Master of Suspense."

Last year when I was watching Monster: The Ed Gein Story, I had some mixed feelings on the handling of the Psycho side of things. I also knew that I needed to watch this particular movie. That's what I got around to the other day.

This movie could be split into three different stories. There's the making of a certain movie by Alfred Hitchcock (Anthony Hopkins) and everything that came with it. Then there's also Hitchcock's marriage to Alma Revelle (Helen Mirren) and an exploration into his fixation on younger blonde leading ladies.

In priority, let's go with the production of Psycho first. The studio wanted another North By Northwest but Alfred wanted to make something that would shock the audience, even if he had to make certain sacrifices in order to get it done.

There's a look into some of his casting choices like Anthony Perkins (James D'Arcy), Janet Leigh (Scarlett Johansson), Vera Miles (Jessica Biel) and John Gavin (Josh Yeo). Oddly enough, Anthony's the least focused in that group of actors as the focus pivoted more towards Janet and Vera.

It's no secret that Hitchcock could be a menace to his leading ladies and I definitely like this movie attempted to address this but in a way that didn't add much to it. He's kind enough to Janet but he also admitted to derailing Vera because the latter became a mother.

The strongest aspect of the movie was anything involving Hitchcock's marriage to Alma. It's briefly threatened by her friendship with writer Whitfield Cook (Danny Huston) but they had an enduring marriage and thematically, it's the spine of this film. 

- Hitchcock had visions of Ed Gein (Michael Wincott) throughout the film. Ed's murder of his brother was the opening scene.

- Anthony's homosexuality (and Norman Bates being queer) and his own mommy issues were mentioned. Anthony also alluded to both Rope and Strangers On A Train.

- Standout music: Charles Gounod's Funeral March Of A Marionette.

- Chronology: It's set during the production and premiere of Psycho.

Hitchcock (2012) did lose points for not really giving a certain aspect the focus it needed. Overall, it's a strong look into the legendary director and his most infamous of works. Both Anthony Hopkins and Helen Mirren are fantastic.

Rating: 7 out of 10 

My Review of Jaws 2 (1978)

 

Written by Carl Gottlieb And Howard Sackler

Directed by Jeannot Szwarc

Martin Brody (to the shark): "All right, you big bastard! Come On! I've got something for ya' now! That's it! Attaboy, come one! Right over here! Open wide OPEN WIDE! SAY AAH!"

Now this and the next two movies are first time watches for me. Jaws becoming so popular it spawned threw bloody sequels. Are they any good? Not by reputation apparently but this first sequel was a decent attempt.

The film opened with the wreckage of the Orca and within a few minutes, two scuba divers ended up being killed. It's a good way to start the movie as of course, there would be another great white shark to cause havoc yet again.

Now, what about Martin Brody (Roy Scheider)? He was the hero of the previous movie but in this one, he's a source of ire for the incompetent mayor (Murray Hamilton) and lost his job to a younger colleague in Deputy Hendricks (Jeffrey Kramer). Oh and then there's his family too.

While his wife Ellen (Lorraine Grey) was supportive, his sons were definitely a source of frustration. Both Mike (Mark Gunnar) and Sean (Marc Gilpin) were both drawn to the water and both ended up nearly being shark fodder.

The third act was where things got interesting. It's not quite as impacting as the first time but it's still effective. The shark got some victims, there's a few tense moments and of course, another grisly shark death.

- The most memorable aspect was the tagline "just when you thought it was safe to go back in the water".

- Roy Scheider returned for this movie after leaving The Deer Hunter and not wanting to incur any further studio wrath.

- Standout music: Tony Hatch's Downtown.

- Chronology: Four years since the events of the first movie.

Jaws 2 turned out to be an okay sequel. It did rethread similar ground to the first one with the events of that also driving the narrative home. I didn't find it objectionable.

Rating: 6 out of 10

My Review of Jaws (1975)

 

Written by Peter Benchley And Carl Gottlieb

Directed by Steven Spielberg 

Brody: "You're gonna need a bigger boat."

Look, so far this year, I've watched at least two straight to streaming shark themed movies. For obvious reasons, it's madee go back to this particular movie. A movie, I should point out that I've ever watched once in my life and a very long, long time ago.

One of the most iconic movies ever and one of Steven Spielberg's most seminal of works. It's also pretty damn straightforward too. A local seaside town. One great white shark. Throw in a very flawed hero and you've got a movie classic.

The flawed hero being police chief Martin Brody (Rob Scheider). It was his responsibility to protect his town from the man eating shark and it was a task that he wasn't entirely up to. People died and it took getting slapped by a grieving woman to make him step to saving the town from that troublesome shark.

At least on that front, Brody teamed up with marine biologist Hooper (Richard Dreyfuss) and a professional shark hunter Quint (Robert Shaw) to actually try to stop the shark. Throw in some group tension, chum and World War II stories and you've got one hell of a team up.

I did like the rapport between Brody, Quint and Hooper as they did their best to actually solve the great shark problem of the movie. It's amazing how simple the sheer tension and horror in trying to take one shark out can be.

The shark itself might not look too terrifying for a modern audience but the way it's shot certainly helped convinced it's effectiveness. There's a few more deaths before one incredibly explosive ending.

- The film was based on Peter Benchley's 1974 book of the same name.

- Three sequels released between 1978-1987 emerged as a result of the success of this film.

- Standout music: Irving King's Show Me The Way To Go Home and of course that score music choice during a certain scene.

- Chronology: Set in the beach town of Amity Island, New England.

Over half a century later and yes, Jaws (1975) absolutely and most definitely holds up as a nautical themed horror fest. It's so simple but effective in it's in terror. I guess I better watch those sequels now.

Rating: 8 out of 10 

My Review of Lanterns: "Lights Out"

 

Written by Justin Britt-Gibson 

Directed by Geeta Vasant Patel

Hal (to John): "You were never gonna replace me, Junior. Here endeth your training."

This episode would be what is known as a fucking game changer. If you were hoping for the show to finally get out of 2026, then you're going to be very pleased with what went down here.

First of all, major fucking props need to be given to Poorna Jagannathan. On paper, Zoe appeared to be the generic love interest but having her as a rogue Manhunter that had both William and Kerry under her control as well as John. Yup, she truly stepped up as a baddie in this one.

The backstory she had with Kerry was a brilliant reveal. Kerry knew all along that Zoe was the Manhunter but said nothing. She's a damn sight better at lying than expected. I also got William so wrong. He was so devoted to Zoe that he allowed Antaan to practically kill him.

Of course, as clever as Zoe was, her downfall was always going to come in the shape of Hal Jordan. That man will not go down without a fight and Zoe's attempts to turn John against him pretty much backfired. She did come close enough though, considering that massive scrap we got between John and Hal in the motel.

However when it became clear that her plan failed, Zoe seemed surprisingly calm about John killing her. She didn't even try to stop him, which I found really odd. Thus endeth the Manhunter segment of the season, I presume. Well, the 2016 aspect at least.

John ultimately rejecting the ring after nearly killing Hal for it was another shocking moment. Even Lianna looked shocked when John turned it down. For comic book fans, I could see why that would've annoyed them but dramatically, it was a fucking brilliant way to end the episode. I was shook with that scene.

- Kerry had a criminal backstory when she arrived in Rushville. Zoe cut Kerry's pinky to bail her out but also helped to regrow another. She also healed John's very burnt skin.

- Zoe genuinely seemed to care about Noah and she also killed Abin Sur. Is Billy the only adult in that family who didn't know Zoe was a Manhunter?

- I'm probably reaching here but did Hal admit to being bisexual during that conversation with Antaan? Probably not.

- Once again, John's parents were relegated to an off screen phone call.

- Standout music: Away From Home (Rushville's Lament) by Ari Mason and Wayne Ingram.

- Chronology: Kerry arrived in Rushville in 2007. This episode culminated the events of 2016.

Lights Out hit a season high and probably could've been a finale in its own right. Those final three episodes are seriously gonna have to work overtime to match this superb outing.

Rating: 9 out of 10