Written And Directed by Maggie Gyllenhaal
Frank: "The Bride of Frankenstein."
The Bride: "Just the Bride."
I was really hoping that the critical were going to be wrong about this movie. I really wanted them to be. This movie had talent both in front and behind the camera and an interesting variation on a classic monster story. How did it go so wrong?
I think maybe the bouncing back and forth between Mary Shelley (the author of Frankenstein) and a young woman named Ida, both of whom were played by Jessie Buckley certainly didn't help matters. For some reason, Mary was able to possess Ida but the movie made no effort to explain it as such.
When Ida was possessed by Mary, she went on feminist rants that were written in a very purple prose sort of way. Ida's rants eventually got her killed but death wouldn't be the ending of her story. Instead, it was a prelude to a literal rebirth for her.
This was where Frank aka Frankenstein (Christian Bale) and mad scientist Dr. Cornelia Euphronious (Annette Bening) factored into things. Frank needed a lover and Euphronious went along with in spite her initial misgivings about playing with the dead. If anything, she could have resisted a bit more before resurrecting Ida.
Now we had three women at once for Jessie Buckley to play. She was Mary Shelley who had another story to tell. She was Ida who was conflicted about her past. She was also The Bride determined to make her own choices, including rejecting Frank's proposal attempts as she grew closer to him. I mean they did have a Bonnie & Clyde dynamic in the second half of the movie.
As a duo, both The Bride and Frank caused a lot of chaos, which included terrorising an actor named Ronnie Reed (Jake Gyllenhaal) when The Bride wasn't ripping out a corrupt cop's tongue. There was also a detective duo with Ida's ex, Jake Wiles (Peter Sarsgaard) and his protégé Myrna Malloy (Penelope Cruz).
The movie hurtled towards a hamfisted conclusion that combined elements of the original source material and the criminal couple that our leads tried so hard to emulate. The feminist messaging on the other hand kind of got lost in the shuffle as it turned out that death really wasn't an obstacle.
- The Bride Of Frankenstein (1935) had the same idea of Mary Shelley and The Bride being played by the same actor. It worked better there.
- This was the second time that Maggie Gyllenhaal had directed both Jessie Buckley and Peter Sarsgaard and cast them as volatile exes.
- Standout music: Jake Gyllenhaal's My Sin and Luther Allison's Maelstrom.
- Chronology: 1930s Chicago for the duration of the movie with flashbacks to Mary Shelley in the 1800s.
The Bride! had all the potential in the world to be one of the best movies of 2026. It had the right people behind and in front of the camera but it's a misfire all round. The performances are erratic, the script's clunky and the messaging just didn't land. A genuine shame.
Rating: 6 out of 10



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