My Review of Female Trouble (1974)

 

Written And Directed by John Waters 

Dawn: "Davenport. Dawn Davenport! I'm a thief and a shitkicker, and, uh, I'd like to be famous."

After three movies that have tested my tolerance levels for the lewd and grotesque, I think I've found my first favourite movie from John Waters. I also think this was a movie where the director somewhat toned down his baser impulses without compromising his creative juices.

Divine as a performer certainly has delivered with the outrageous material she's given and here, she got to play a character that grew from a bratty teenager to a monstrous adult and quite well to boot.

The movie started with Dawn Davenport (Divine) being expelled from her school and losing her shit when her parents didn't give her the shoes she wanted for Christmas. A sexual encounter with the odious Earl Peterson (Divine) resulted in a nightmare child named Taffy (Mink Stole/Hilary Taylor). Let's just say that motherhood wasn't a natural fit for someone like Dawn.

On the other hand, Dawn did seem rather adept at prostitution and thieving and had fun doing that with former school pals, Chicklette (Susan Walsh) and Concetta (Cookie Mueller). Then there was Dawn's aspirations to be a wife. That was something else she wasn't cut out for.

Dawn's choice in husband was sleazy hairdresser Gater Nelson (Michael Potter). Gater came with a weird Aunt Ida (Edith Massey), whom Dawn would later torture. Dawn's marriage to Gater also brought her to the attention of another weird crime obsessed couple named Donald (David Lochary) and Donna Dasher (Mary Vivian Pearce). They saw Dawn as a grotesque muse but created an even bigger monster when Dawn decided to go on a public killing spree.

Dawn's descent into madness meant that no one was safe, not even Taffy. Saying that, I wasnt exactly devastated when Dawn killed her own daughter. Dawn's trial and lead up to her execution was a brilliant way to cap off the movie. Of course she was deluded enough to think it was a good thing.

- Aunt Ida lost her hand but she scarred Dawn's face with acid beforehand. She also kept trying to set Gater up with men, despite him being straight.

- Taffy was meant to have some learning difficulties. At one point, she met her father and killed him. Dawn had a lesbian lover named Earnestine (Elizabeth Coffey)

- Standout music: Divine sang Female Trouble.

- Chronology: Baltimore from 1960 to 1974. 

I had so much fun with Female Trouble. John Waters struck the right chord with a suitably delightful performance from Divine as the truly terrible Dawn Davenport. My favourite of both so far.

Rating: 7 out of 10 

DCU Blog - June 2026 Edition: Supergirl Crashes, New Animated Shows And More

And we're halfway through 2026. This month sadly has been something of a mixed bag in terms of DC News but we move.

Let's get the bad news out of the way first - Supergirl (2026) has only grossed $63 million at the box office, making it one of the bigger losses for the WB this year.

It seems that the next DC film to possibly go into production could be the Deathstroke And Bane movie.

Spoiler hounds are arguing among themselves in regards to whether or not the DCU Batman has been cast.

Ana Nogueira has recently talked of developments for both her Wonder Woman and Teen Titans scripts.

Man Of Tomorrow (July 9th 2027) is currently half way through filming with some recent set pics of David Corenswet and Nicholas Holt having leaked.

Batman: Caped Crusader will be released on Amazon Prime from July 29th. Expect villains such as Riddler, Man-Bat and a female version of Mad Hatter.

A trailer for Batman: Knightfall Part 1 has been released. The movie will be released later in the year.

A synopsis for the animated Dynamic Duo (June 28th 2028) revealed that Dick and Jason will split when the former joins Batman and the latter joins the Red Hood Gang.

After an eternity, The Batman Part II (October 1st 2027) has started filming. 

Both James Gunn and John Cena have hinted about when Peacemaker will resurface in the DCU. Something tells me it's a lot sooner than expected.

Clayface (October 23rd 2026) is approximately one hour and fifty minutes according to recent test screenings. It doesn't feature Batman as of now.

David Jenkins has recently turned in the script for Booster Gold. It has yet to be greenlit.

Animated shows for Absolute Batman, Joker: Laugh Riot and Krypto have been announced.

My Adventures With Superman doesn't have a fourth season announcement as of yet. Season 3 is currently airing weekly.

Expect announcements for both Creature Commandos Season 2 and Mister Miracle very soon.

Filming for the Jimmy Olsen/Gorilla Grodd HBO Max series will start after filming of Man Of Tomorrow has completed. They're looking for actors from a comedy background for Grodd and one of the main roles will be for a lawyer.

And that's it for the month of June. Some mixed news this month but on we go.

My Review of Pink Flamingos (1972)

Written And Directed by John Waters 

Babs: "Kill everyone now! Condone first-degree murder! Advocate cannibalism! Eat shit! Filth is my politics! Filth is my life!"

After two black and white movies, it was time to move into colour for John Waters demented mind where once again, Divine was at the centre of all things particularly foul and corrupt. I do mean this in a complimentary way.

With this movie, Divine was going by Babs Johnson and was living in a rather colourful mobile home in the arse end of nowhere. She wasn't alone either. Divine had her egg obsessed mother, Edie (Edith Massey) and companions, Cotton (Mary Vivian Pearce) and Crackers (Danny Mills). The latter was also Divine's son.

Anyways, Divine and her motley crew were criminals (of course) and Divine herself was proud of being the filthiest person alive. Funnily enough, that title was something that similarly depraved couple Connie (Mink Stole) and Raymond Marble (David Lochary) were determined to usurp. Why? I haven't got a clue.

As a couple, Connie and Raymond are grotesque to watch. They have a business that involved kidnapping and impregnating women and selling the babies to lesbian couples. Their manservant Channing (Channing Wilroy) was the one doing the impregnating. He would also suffer a much deserved comeuppance.

Anyways the war between Divine and the Marbles got really nasty. Sickeningly nasty with delivers of turd present, home violations and a live broadcast execution. Both side are undeniably horrible but Divine certainly had the edge. The last scene was also one of the most revolting things I've ever had to watch. 

- There's some other horrible scenes in this movie involving incest and castration.

- Why didn't Babs/Divine tell her mother about duck eggs? On the other hand, Edie's egg addiction was off putting to watch.

- Standout music: Little Richard's The Girl Can't Help It.

- Chronology: Set in Phoenix, Maryland. Divine, Cotton and Crackers chose to move to Boise, Idaho.

Pink Flamingos certainly kept with the depravity that I'm now expecting upon watching John Waters movies. There's a daft campiness and some truly hilarious one liners amidst some genuinely revolting scenes.

Rating: 6 out of 10 

My Review of House Of The Dragon: "Queen's Landing"

 

Written by Sara Hess

Directed by Clare Kilner 

Daemon (to Rhaenyra): "In this moment, you will become queen."

I thought last week's opening episode should've been the finale for last season but actually, it's this episode that should've ended the second season. What an episode.

In those last moments, Rhaenyra finally became Queen after over twenty years of being promised the crown. It should've been a moment of joy for Rhaenyra but it's clear as day that it wasn't the victory she had hoped for. How could it have been?

In such a short space of time, Rhaenyra lost three of her six children and she was struggling big time with Jace's death throughout this episode. Daemon practically had to push Rhaenyra into asserting herself as Queen. Rhaenyra's first act - why killing Otto of course.

I've disliked Otto Hightower from the very first episode and his death was totally on him. Otto's scheming and overreaching finally came to roost and I liked that Rhaenyra was the one to do it. Otto absolutely had it coming and there was no way that he could've been kept alive. Alicent might have looked shocked but surely, she should've expected it.

Speaking of Alicent, she maintained her word in helping Rhaenyra seize King's Landing while trying to protect Helaena. It almost went spectacularly wrong for her when Jasper attempted to rape her until Orwyle stepped in. Jasper got his just desserts and now Alicent and Helaena are at Rhaenyra's mercy. Going by next week's trailer, Alicent will be fine.

As for her feckless sons, Aegon managed to escape reuniting with his sister while still being rather mad at Larys for outing his identity. Aemond stormed Harrenhal, killed the Strong clan, bled a lot and found himself at the mercy of Alys. 

Last but not least, Corlys survived the events of the Gullet and had some choice scenes with both Baela and Alyn. Rhaena on the other hand found herself at odds with Lady Jeyne and she can't go back to her family. Yeah, Rhaena really got the crap end of the stick this week. 

- The episode introduced Ser Luthor Largent (Tom Cullen). He went along with Alicent's plan and remembered his past with Daemon.

- Orwyle clearly believed Jasper when the latter revealed Alicent's plan. He also quickly swore fealty to Rhaenyra.

- That's two episodes in a row that Alicent has been a victim of sexual assault. It's not a great pattern. 

- Daemon might have set Hugh and Uluf to eventually betray Rhaenyra. I liked his scene with Mysaria in this episode too.

- Harry Collett had his name in the credits as well saw Rhaenyra grieve over Jace's corpse early in the episode.

- Chronology: From where the previous episode left off.

Queen's Landing felt like a finale for the previous and now that Rhaenyra has the very thing she's clamouring for, it's come at a horrible price for her. By far, the best episode so far from the show.

Rating: 9 out of 10 

My Review of My Adventures With Superman: "All's Fair In Love And W.O.R.M.S."

 

Written by Jack Sentell

Directed by Grace Liu

Giganta (to Jimmy): "My friends call me Gigi but you call me Giganta."

Why are we getting a prominent Wonder Woman villain in an episode and not even having a reference to Diana herself? It's a valid concern, right? Anyways, hello Gigi.

Jimmy Olsen took a huge chunk of the story this week and all because Kara decided to take his advice about exploring her options as a single woman. This meant Jimmy throwing his lot in with W.O.R.M.S. (World Organization for Romantic Matchmaking Science), which was ran by Zazzala and Tazzala respectively.

Anyways, Jimmy's exploits into this particular dating field had him mostly paired with Giganta. For some reason, she turned him into a wolf and when he was cured, he developed spaghetti arms and then when he was properly cured, Giganta decided to recreate that one scene everyone knows from King Kong until Superman and Zazzala/Tazzala saved the day.

Elsewhere, Kara was having the time of her life being in such demand on another dating app while discovering the joys of a mall. Lois spent most of the episode being anxious about the way her relationship with Clark has progressed. There's also a musical number that didn't quite land.

Of course the biggest shocker of the episode was the future trip. Yup, another alien invasion in Metropolis but where's Superman? Dead seemingly. Saying that, there's a bald Lex Luthor trying to do the right thing by sending Superboy (Darren Criss) back in time to prevent the disaster they're living in.

- Lois was a fan of Black Canary's music, which Supergirl discovered.

- Clark trying to work on his model farm was cute. We saw a Krypto looking dog.

- Cyborg Superman's hero career was over after his altercation with Silver Banshee backfired on him.

- Chronology: Shortly after the events of the second episode.

All's Fair In Love And W.O.R.M.S was a pretty solid episode overall with the last scene really setting up the events for the rest of the season.

Rating: 7 out of 10 

My Review of Multiple Maniacs (1970)

 

Written And Directed by John Waters 

Lady Divine: "And you're still the most beautiful woman in the world! Nothing can change that!"

I had something of a challenge with Mondo Trasho and in a lot of ways, this follow up had some similar issues. Fortunately, it's a talkie, so no intrusive music to be had. That somewhat helped with this one.

Once again, we've got Divine leading proceedings and here, she went by Lady Divine. Divine ran The Cavalcade of Perversion. It's as depraved as you'd expect it to be. There's even a character called the Puke Eater. Oh and Divine's rather murderous in this one when she wasn't stealing from customers too.

She's also got a man named Mr David (David Lochary). Needless to say, he's been cheating on her with another woman named Bonnie (Mary Vivian Pearce) and before she can confront them, she's sexually assaulted by two glue sniffers. Yes, it's a rather grim display here.

Throw in a daughter named Cookie (Cookie Mueller) and the latter's boyfriend, Steve (Paul Swift) and maybe it's no wonder that Divine turned to lesbianism with a woman named Mink (Mink Stole). They met in church and certainly committed unholy acts of love making.

The rest of the movie then just upped the body count. David and Bonnie murdered Cookie and had Ricky (Rick Morrow) tied up and gagged. Ricky was later killed by Mink. Mink was eventually killed by Divine and the latter killed both David and Bonnie. Yes, there's a high body count on display here.

I'm not sure the movie was totally successful in showing how Divine got so crazy but what she did to David was probably the most gruesome act in the film. Divine's own fate on the other hand was a pretty daft but oddly humourous way to give her a comeuppance of sorts.

- I watched the Criterion release of this with commentary from John Waters. That proved to be insightful.

- Other players in this movie included Edith Massey, George Figgs and Michael Renner Jr.

- Standout music: There's a memorable use of America The Beautiful at the end of the movie.

- Chronology: It was filmed in Baltimore and presumably set there too.

I'd say marginally better than the movie that came before it. Multiple Maniacs certainly didn't hold back on the depravity or outright silliness on display.

Rating: 6 out of 10 

My Review of Supergirl (2026)

 

Written by Ana Nogueira

Directed by Craig Gillespie 

Supergirl: "Here's the thing. My cousin and I have very different ideas about what it means to be a hero. He sees the good in everyone and I see the truth."

Oh, DC - what to do with you? You came out swinging last year with Superman (2025) amid a petulant hate campaign and sadly, it seems that Supergirl (2026) fell victim to an even more mean spirited one. Is this the end of the DCU? Of course it isn't. 

Now I'm not gonna pretend that this isn't a movie without it's flaws and I'll delve into them during the review. In the comic book world, Tom King's a divisive writer but his miniseries Supergirl: Woman Of Tomorrow was one of the few things that DC fans seem to like. I can see why it was chosen as a potential adaptation.

Having already met Kara Zor-El aka Supergirl (Milly Alcock) in her cousin's movie, her solo adventure focused on her going from planet to planet getting drunk. It's also Kara's 23rd birthday and aside from Krypto and her well meaning cousin, Superman (David Corenswet), Kara's basically got nobody. Then she's roped into the big story itself.

Let's throw in Ruthye Marye Knoll (Eve Ridley). The poor girl had to witness her parents being murdered by Krem of the Yellow Hills (Matthias Schoenaerts) and she naturally wanted revenge. This was something that Kara wanted no part in but then Krypto got poisoned and had three days to live and the antidote was on the Brigands person. Those reasons alone were enough for Kara and Ruthye to team up.

Putting the source material to one side, when watching this movie yesterday I was reminded of Birds Of Prey (2020). In some aspects, the dynamic between Kara and Ruthye wasn't that dissimilar to Harley Quinn and Cassandra Cain. It's a slightly gentler version with Kara opening up about her life on Krypton, her parents and the differences between herself and her famous cousin.

Anyways as Kara and Ruthye ventured through different planets in order to get to Krem and his cohorts, there was also the presence of intergalactic bounty hunter, Lobo (Jason Momoa) himself. He's only in a handful of scenes, was moderately helpful to Kara and Ruthye and Momoa was well within his comfort zone, performance wise. Lobo's inclusion felt like a set up for an inevitable future solo project of his to be announced.

With most comic book movies, the third act was something of a mixed bag. There's a subplot involving human trafficking and changes made to Krem's character to give him more context. Krem wasn't a particularly compelling baddie to watch but at least Ruthye got closure, Krypto got cured (was there ever a doubt?) and Kara did what was necessary to stop Krem and his crew.

As for Superman and the Krypton scenes. I liked how they were spread out throughout the movie and I'd argue they're handled well here. Kara's parents Zor-El (David Krumholtz) and Alura In-Ze (Emily Beecham) were written as good people and there's a nice backstory for Krypto. Kara's scenes with Superman were some of the best in the movie, especially the final scene between cousins. I love their rapport so much.

- For the first time in a while, there are no mid or post credit scenes and honestly, they're not missed here.

- Seth Rogan had an uncredited role as a small alien that Kara met on the space bus. There was a lot of different aliens in the movie, including Sklarian Raiders.

- We had to wait until the third act for Kara to don her Supergirl costume. She used a lot of martial arts and got shot with Kryptonite as well.

- There's a few changes made to the source material, some being more noticeable than others. Most were fine tbh.

- Standout music: Claudia Sarne did good with the score and other than that, there's Cheek To Cheek by Ella Fitzgerald and Catch These Fists by Wet Legs.

- Chronology: Kara turned 23 and one of the many planets she visited was named Bilquis, after the artist of the source material. We also saw Krypton, Argos City and Metropolis.

Supergirl (2026) might not hit the same way that her more famous cousin's movie did a year ago but I'll side eye the hell out of anyone who'd claim this to be a bad movie. It's not bad in the slightest. As an adaptation to an acclaimed comic book miniseries, it's mostly faithful to the source material. The colour palette's a bit too drab and Krem isn't an interesting baddie but Milly Alcock has proved to be fantastic casting as Supergirl. 

Rating: 7 out of 10 

My Review of Mondo Trasho (1969)

 

Written And Directed by John Waters

Divine: "Oh Mary! Oh Holy Trinity! Oh God! It isn't easy being Divine!"

For the next few weeks, I'll be delving into the filmography of transgressive extraordinaire John Waters. However, for the moment I won't be watching his short films. I will tackle them at a later date.

Going with this movie first, it's his first one that reasonably long form and it's a rather bizarre debut. You've got Waters frequent collaborator, Divine as themselves but also a Greaser in Alley. As themself though, they're mostly carrying another character.

The other character being The Bombshell/Cinderella (Mary Vivian Pearce). She's there to be objectified, assaulted, killed, resurrected, partially transformed, harassed and insulted. All of this happened within the space of this movie.

Cut with some rather strange sequences while The Bombshell was in the throws of pleasure, she then got ran over by Divine. Divine had been distracted by a rather handsome man (Mark Isherwood) that she imagined naked. 

From that point onwards, everything's a chaotic mess. Clothes are stolen, the police are interested in Divine's antics, there's a sequence with the Virgin Mary (Maggie Skidmore) and the utter madness of Dr. Coathanger (David Lochary) and his ill nurse (Berenica Cipcus). It's all so utterly batshit crazy.

By the end of the movie, Coathanger tried to kidnap a school girl, Divine was left in the woods and The Bombshell had bird's feet and was getting flashed at and insulted in a rather unsatisfactory conclusion to the whole thing.

- The opening scene involved chickens being slaughtered. Bombshell was reading Kenneth Anger's Hollywood Babylon.

- Mink Stole had the roles of Homeless Woman, Snob #1 and Asylum Inmate. She's another frequent collaborator of John Waters.

- Standout music: It made up the majority of the movie with some songs repeated and scant dialogue to boot.

- Chronology: 1960s Baltimore for the whole film.

Gotta be honest - the idea being Mondo Trasho was interesting. The execution, not so much. It's a messy movie, the music was a hindrance and whole thing just felt disjointed and unsatisfying to watch. Probably not something I'd ever watch again.

Rating: 5 out of 10 

Horror Updates Again

I swear this isn't going to be an ongoing thing (or maybe it will). Saying that, let's get into, shall we?

Robert Eggers proved back in 2024 that audiences don't mind a bit of Christmas horror, considering that his version of Nosferatu turned out to be such a massive hit. Hoping to repeat that succees again, he's got the upcoming Werwulf, which will be released on Christmas Day for the US and January 1st 2027 for everywhere else. The film was co-written with Sjón (who also co-wrote 2022's The Northman). The film will reunite Eggers with Aaron Taylor-Johnson, Lily Rose Depp, Willem Dafoe and Ralph Ineson. A first look trailer is imminent.

Remember a while back there was discussion of Michael Myers going to the land of television? As it's been apparent for a good while, nothing has materialised with that. As a result, there's rumours spreading that a TV show has been scrapped in a favour of a new movie. Assuming this is true, the new movie would undoubtedly be aimed for 2028, marking the 50th anniversary of Michael Myers terrorising the residents of Haddonfield in Halloween (1978). Again, there's no official source for this and personally, it seems more like an educated guess on the matter. I imagine we'll get an actual update before the year's out.

Now let's talk about the two biggest movies of the summer that aren't blockbusters? Yup, at this point unless you've been purposely avoiding them, there's no way you don't have thoughts on both Obsession and Backrooms. As of now the former has clocked in $337.1 million and the latter $301.8 million respectively. This is good news for directors Curry Barker and Kane Parsons as well as some of the cast members. There has been some recent talk of award nominations for the former, including Inde Navarrette but we'll see how it goes as the year goes on.

Now as it's still Pride Month for the next few days, I should shout out Australian gay horror Leviticus, which is currently in cinemas. I do plan to see it soon. It also got me thinking about other upcoming LGBT themed horror films. You can expect Teenage Sex And Death At Camp Miasma. The film stars Gillian Anderson and Hannah Einbinder and directed by Jane Schoenbrun (I Saw The TV Glow). It'll be in theatres from August 7th. There's a horror short called Four Itchy Boys starring Nico Greetham and Booboo Stewart, directed by Andrew Herbert. There's also the upcoming LGBT Giallo inspired Until You're Alone, which recently revealed it's first trailer on YouTube.

You know what? This might be a monthly thing. I'll think about it.

My Review of Ammonite (2020)

 

Written And Directed by Francis Lee

Charlotte (to Mary): "You, were the most fascinating person there tonight. And I think, the most beautiful."

I'm a huge fan of Francis Lee's God's Own Country and I've been meaning to catch up with Ammonite for the longest time. As Pride Month heads into its final week of sorts, it was time to finally watch this film. I'm glad that I did.

Kate Winslet and Saoirse Ronan are two incredibly talented actresses and here, they're both well cast as two women who form a connection with one another under the most trying of circumstances for both of them.

Mary Anning (Winslet), a paleontologist and small shop owner lived with her mother, Molly (Gemma Jones). Her talent for digging fossils and identifying ammonites have given her quite a reputation. In fact, archaeologist Roderick Murchison (James McArdle) was eager to learn from Mary's unmatched skills.

Roderick was also eager to offload his depressed wife, Charlotte (Ronan) onto Mary while he went on his own adventure. Mary and Charlotte weren't particularly keen on one another to begin with. Then Charlotte got sick and Mary had to play nursemaid under the advice of Charlotte's doctor, Lieberson (Alec Secăreanu).

From that point, there was a bond that was formed between the two women. I think both Molly and Lieberson noticed it a little and Mary's ex-girlfriend, Elizabeth Philpot (Fiona Shaw) certainly noticed it. In fact, Elizabeth went out of her way to encourage Mary to act on her feelings towards Charlotte, following Molly's untimely death.

These sort of period based films are never an easy time for gay or lesbian couples. Mary and Charlotte had some form of domestic bliss until the latter had to go home. Charlotte's attempts to recreate that in her home with Mary went awry. Saying that, there's a nice final moment between both women in the British museum.

- Mary Anning and Elizabeth Philpot of course were real life people as was Charlotte. The movie doesn't cover their deaths.

- Alec Secăreanu, who played Dr. Lieberson previously appeared in God's Own Country as Gheorgie. 

- Standout music: Gesellschafts - Walzer, Op. 5, composed by Johann Strauss Sr.

- Chronology: 1840s, Lyme Regis, Dorset as well as London.

Ammonite (2020) isn't exactly a laugh a minute but it's a breathtakingly somber affair with dynamic performances between Kate Winslet and Saoirse Ronan. Both women are incredible to watch and have very strong chemistry. Francis Lee's writing and directing were on fine form.

Rating: 8 out of 10 

My Review of The Emperor's New Groove (2000)

 

Written by David Reynolds And Chris Williams And Mark Dindal

Directed by Mark Dindal

Pacha: "Why did I risk my life for a selfish brat like you? I was always taught that there was some good in everyone, but, oh, you proved me wrong."

Kuzco: "Oh, boo-hoo. Now I feel really bad. Bad llama."

I'll admit that this movie was a recent watch for me. As someone who's a fan of Eartha Kitt, I do slightly regret not watching this one much sooner but what can you do?

In this movie, she's the scheming advisor/alchemist Yzma and she's out to take over the Incan empire. Considering that the emperor in question Kuzco (David Spade) actually sucks at being an emperor and thinks that tearing down a village was the way to celebrate turning eighteen, perhaps Yzma had a point.

Unfortunately for Yzma, she had a rather incompetent henchman in the form of Kronk (Patrick Warburton). Instead of killing off Kuzco, the latter ended up being changed into a llama and let's just say, it took Kuzco a while to prove he was capable of being a decent person.

It somewhat helped that he ended up being paired with villager Pacha (John Goodman). The whole Kuzco and Pacha dynamic made the movie. They're a fun pair who undermined one another as they gradually grew to rely on each other.

As a villain though, there's something delightfully menacing about Yzma. While she's not as iconic as other bigger Disney baddies, I liked how ruthless she got as things went along. Saying that, it took little for Pacha's family to get the better of her and Kronk's last minute heel turn somewhat became her undoing.

- Kuzco was named after Peruvian city, Cuzco. It still exists in the Andes mountains.

- Despite some similarities, it's not based on The Emperor's New Clothes.

- Standout music: My Funny Friend And Me and Perfect World, both courtesy of Sting and Tom Jones.

- Chronology: South American during the Incan empire.

The Emperor's New Groove turned out to be a fine 2000s addition to Disney animated movies. While I don't think it's a classic, there's plenty of fun to be had and Eartha Kitt unsurprisingly steals the show from David Spade and John Goodman, though they're good too.

Rating: 7 out of 10 

My Review of House Of The Dragon: "Salt And Sea, Fire And Blood"

 

Written by Ryan Condal

Directed by Loni Peristere

Jacaerys: "If you die."

Rhaenyra: "Then you will at last be king."

Oh, those words didn't age well at all. I knew going into this episode that Jacaerys wasn't long for the world and of course this was going to be the infamous Battle Of The Gullet. It's just that I found his death a little underwhelming.

For an opening episode, it's probably the weakest we've had of the three so far but there was still plenty to mull over nonetheless. Circling back to Jace, he was absolutely right in being sceptical about Alicent wanting to help Rhaenyra reclaim King's Landing. I wouldn't trust Alicent as far as I could throw her but unfortunately for Jace, his mistrust of her was unfounded. Oh boy.

Jace locking Rhaenyra in her chambers might have spared her life but it put him and Vermax in danger as well as Baela and Moondancer. The presence of Rhaena and her newly acquired dragon, Sheepstealer also made the situation even more of a disaster than expected. I'm not as mad at Rhaena as everyone else online seems to be but talk about a terrible first outing for both Rhaena and Sheepstealer.

The Battle of the Gullet definitely felt like it should've been the previous season finale. It's well executed and provided an opportunity for Lohar and Corlys to do battle with one another. I did find it oddly humourous that Lohar was quick to abandon the Greens, her own shipmates just to get some petty revenge. It did not end well for her by the way.

Focusing on Team Green, what a splintered they've become. Both Aegon and Larys ended up being captured by supporters of Team Black. I laughed when Larys ratted out their identities. That man's survival instincts were on point. In that particular scenario, Larys made the right call.

Then there was Aemond. He quickly took over the throne and in a stomach churning scene, kissed his own mother. Alicent had the decency to at least look disgusted, while quietly undermining her psychotic son and keeping her treachery under wraps. Even when Alicent was doing the right thing, she still created more carnage in her wake.

Continuing with the Greens, there was a new player introduced in the form of Ormond Hightower (James Norton). He's like a more tactical and competent version of Ser Criston, leaving Gwayne yet again as the only decent Hightower in the mix. I'm rooting for Gwayne to come out of this mess unscathed. Unfortunately, I very much doubt he will.

Back to the Blacks though, at least Daemon was able to take out some enemies and even gained new allies with the Winter Wolves, who are led by Roderick Dustin (Tommy Flanagan). The Blacks need all the help they can get and the Greens need to start losing some players.

- The title sequence has been updated with new aspects of the tapestry and new cast members of course.

- Alys had little screen time but she managed to make her presence known to the likes of Addam, Hugh and Ulf. We also saw a Green Man very briefly.

- Benjamin Evan Ainsworth appeared but is his playing the real Daeron Targaryan or a fake? His hair is more Hightower though.

- The circumstances behind Jack's death in the book are different from what the episode did. I don't mind the change too much.

- Are both Lannister twins dead now? Good on Gwayne for opposing the knight assaulting women. Typical that Criston didn't care.

- Chronology: Not long from the events of the previous season.

Salt And Sea, Fire And Blood felt like it was absolutely meant to be the finale to the previous season rather than the opening to this one. It plodded a little in the first half before it blew up big time during the actual battle itself. On reflection, I did like it a bit more than when I first watched it.

Rating: 8 out of 10 

My Review of My Adventures With Superman: "Mobile Suit Toyman"

 

Written by Angela Entzminger

Directed by Chris Palmer

Whip: "Your low income is real turnoff, Superman!"

Superman: "I am not discussing my personal finances with a super-villain."

Okay, this was an episode that had our Kryptonian duo put through their paces. Superman got the workout from a minor villain and Supergirl had more of an emotional turmoil to work through.

I'll go with Supergirl first. She's got feelings for Jimmy and while he clearly has feelings for her, Jimmy also encouraged Kara to keep her options open. Unfortunately for Jimmy, Kara's not short of admirers whatsoever.

Then there's the Super-Fest panel being moderated by Cat Grant. Cat certainly had a way of making Kara feel like she had no purpose. Fortunately for Kara, a young woman named Jessica Cruz (Auli'l Cravalho) was able to give Kara the much needed pep talk that she needed to hear.

As for Superman, he got to tangle with a low level criminal named Whip. I say low level but she also had access to Kryptonite and had problems using it to cause Superman much distress. Of course she was more annoyed by his financial status and altruism before Superman eventually got the better of her.

Last but not least, there was Lois Lane. She wasn't her best here but she managed to recognise that Toyman hadn't reformed and she pretty much goaded him into using his new suit. Toyman's actions also served as a way for Lex Luthor to get great publicity for Cyborg Superman. Lex certainly took everyone by surprise this week with that stunt of his.

- Jimmy's comic Superman's Pal Jimmy Olsen had a villain version of Lois and didn't seem to impress Lex either.

- Jessica Cruz will be headlining her own spin-off, My Adventures With Green Lantern. Supergirl also "kidnapped" the actors from Challengers Of The Unknown for a brief moment.

- Bizarro cosplayed as Superman during Super-Fest. There were cosplayers for Starfire, Raven and Beast Boy as well.

- Chronology: Not long since the previous episode.

Mobile Suit Toyman was a strong second episode for both the Superman and Supergirl plots as well as Lex blind sighting everyone. Lois and Jimmy's scenes were a bit weaker but not by much.

Rating: 7 out of 10 

My Review of The Trial (1962)

 

Written And Directed by Orson Welles

Josef K.: "I only came here because I wanted to see if the inside of this famous legal system was as loathsome as I guessed it was. And now I'm too depressed to want to see anything more. I just want to get out of here and be alone."

Well, this was on my list of films from Anthony Perkins that I knew I needed to watch and I did late last night. Kafkaesque or what? 

It wasn't too long since his star making turn as Norman Bates that Anthony Perkins took on the role of office worker Josef K. With this role, he was playing a man who was being tried for a crime that he had no idea he had committed.

If you're hoping for clarity on the very nature of the crime that Josef K had committed, the one thing this movie committed to was not giving the audience any clue to it. There's no confirmation of what Josef K actually did to be put on trial whatsoever.

Throughout the movie and as Josef K's trial progresses and devolves, there's a myriad of characters that Josef K interacted with. On the romance front there's the likes of neighbour Marika Bürstner (Jeanne Moreau), and Leni (Romy Schneider) - the assistant to The Advocate aka Albert Hastler (Orson Welles). I hate to admit it but Perkins doesn't have any romantic chemistry with either woman.

The amount of people that interact with Josef K are numerous but memorable enough. The Advocate in particular served as a good foil while family members such as Uncle Max (Max Haufler) and Cousin Irmie (Naydra Shore) added some context to the type of man Josef K happened to be.

My favourite interactions were between Josef K and his landlady, Mrs. Grubach (Madeleine Robinson), Bloch (Akim Tamiroff) and the artist Titorelli (William Chappell). I think they're some of the strongest scenes but there's no interactions (bar the ones that unsuccessfully try to frame Josef K as a ladies man) that don't work.

Then there's the conclusion itself. Of course Josef K's trial wouldn't go in his favour and death was the only way it would end. It's a particularly brutal ending for him, though not entirely unexpected.

- Orson Welles did the opening and closing narrations as The Advocate.

- Yes, it's based on Franz Kafka's 1925 book of the same name with the chapter order somewhat different from the source material. Josef died differently in the book too.

- I definitely got more closet gay vibes off Josef K than the ladies man that Anthony Perkins tried but didn't succeed in depicting here.

- Chronology: Josef K was killed on the evening before his thirty first birthday.

The Trial (1962) did have an amazing central performance from Anthony Perkins in an adaptation that was relentless from start to finish. It's tense, brutal, took various turns and then landed that ending all too well.

Rating: 9 out of 10 

My Review of Gaslight (1944)

 

Written by John Van Druten And Walter Reisch And John L. Balderston

Directed by George Cukor

Gregory: "I knew from the first moment I saw you that you were dangerous to me."

Brian: "I knew from the first moment I saw you that you were dangerous to her."

Okay, there's a version from 1940 of this particular movie that I will catch up with at some point but I had to skip ahead and watch this one first. I'm somewhat glad that I did.

Based on the 1938 play Gas Light by Patrick Hamilton, this version had the talents of Charles Boyer and Ingrid Bergman at the heart of this production. They're both exceptionally good as the gaslighting between the pair dominated proceedings.

Boyer took on the role of Gregory Anton, the accompanist to Paula Alquist Anton (Bergman). Paula was the orphaned niece o  recently murdered opera singer Alice Alquist. Paula also inherited Alice's home in London but her aunt's murder has become a trigger for her.

Gregory in public did appear to be the ideal husband, showing genuine concern for his wife's health. Privately and given the title of the movie, Gregory spent the entire movie gaslighting Paula, causing her no end of distress and rendering her into being a shut in. 

It also didn't help that Gregory would shamelessly flirt with Nancy (Angela Lansbury) while continuing to dim the lamp in order to mess with Paula all the more. Fortunately for Paula, at least had both the cook Elizabeth (Barbara Everest) and Brian Cameron (Joseph Cotten) on her side.

There's something extremely gratifying in watching the table turn between Paula and Gregory when she eventually got the upper hand. Gregory's motives for what he was doing to Paula made sense for his character and he almost got away with it. 

- This was the first movie role for the legendary Angela Lansbury. She's great, even if Nancy isn't a particularly likable character.

- Both the opening and closing credits use a burning gaslight.

- Standout music: Ballade No. 1 in G minor, Op. 23 by Frédéric Chopin.

- Chronology: 1875 in both London and briefly, Italy. Then there was a ten year time jump.

Gaslight (1944) turned out to be a superb adaptation with absolutely brilliant performances from Charles Boyer, Ingrid Bergman and Joseph Cotten respectively. It's an absolute masterclass in cinema with George Cukor's direction being very on point.

Rating: 8 out of 10 

My Review of The Addiction (1995)

 

Written by Nicholas St. John

Directed by Abel Ferrara

Kathleen: "To face what we are in the end, we stand before the light and our true nature is revealed. Self-revelation is annihilation of self."

Was I in the mood for a vampire movie that was a long metaphor for drug addiction with a bit of Catholicism thrown into the mix? Funnily enough, I wasn't but for some reason, I decided to watch this movie.

I gotta be honest, prior to watching it, I had no idea this movie even existed. The joys of discovering old movies when going through apps like Plex, huh? Not that I'd say this was a particularly joyful movie to watch in itself.

Lili Taylor might be one of the most underrated actors around. Even when she plays a character that I don't particularly like, I always find her compelling to watch. The character in this movie was a philosophy student named Kathleen Conklin. What's so bad about Kathleen?

At first, she just came across as a fairly jaded student but her encounter with Casanova (Annabella Sciorra) turned Kathleen into a vampire and soon enough, Kathleen was a lot more than a jaded student. She was a woman who went philosophical while finding ways to sate her growing hunger.

This was where characters like Peina (Christopher Walker) and Jean (Edie Falco) came into play. Peina tried to show Kathleen that she could survive as a vampire without killing while Jean tried to be that good friend. Kathleen couldn't beat her addiction and Jean ended up becoming a vampire as a result.

There's a particularly gruesome orgy by the third act that seemed to be the wake up call that Kathleen wanted. By the end of the movie, she had gotten her own complicated sense of closure. It seemed an appropriate enough ending for her.

- Michael Imperioli appeared briefly as a Missionary that resisted Kathleen's charms. Both him and Lili Taylor were a couple at the time of this movie being made.

- Along with the use of Catholicism and drug addiction, allusions to HIV and AIDS were made too.

- Standout music: 

- Chronology: 1990s New York City.

The Addiction was a little bit different for a vampire movie. It's use of drug addiction and Catholicism are far from subtle but they're certainly effective enough. It's also one of the most interesting roles that I've ever seen Lili Taylor in.

Rating: 7 out of 10 

My Review of Fright Night (2011)

 

Written by Marti Noxon And Tom Holland

Directed by Craig Gillespie 

Charley (re Jerry): "I'm gonna end him. Or he's gonna end me. That's how it's gonna be."

A couple of years ago, I reviewed the 1985 vampire classic, Fright Night and while I'm bypassing the sequel for now (I'll get to it later in the year), I found myself drawn to seeking out thr 2011 remake.

This version took a few different steps but ultimately, it's not too different from the original version. There's a single mother named Jane Brewster (Toni Colette) and her son, Charley (Anton Yelchin). They live in a seemingly normal neighbourhood and then they get a new neighbour.

The neighbour being the mysterious Jerry Dandridge (Colin Farrell). It's not before Charley and his estranged friend Edward "Evil Ed" Lee (Christopher Mintz-Plasse) realise that Jerry's actually a vampire. It also didn't take long before Ed became one too, having come afoul of the scheming Jerry.

From that point onwards, Charley's attempts to protect his mother as well as girlfriend Amy Peterson (Imogen Poots) were something of a challenge. Charley made a powerful enemy in Jerry and the latter had no problem showing Charley how powerful he truly was.

Fortunately Charley had a reluctant ally of sorts in Las Vegas magician Peter Vincent (David Tennant). Granted, Peter didn't immediately go out of his way to be of use. Things had to happen along with past traumas resurfacing for Peter to step a notch. Oh and then there was Amy being turned into a vampire.

As you can imagine, it played out similar enough with Jerry eventually getting his comeuppance and his victims being restored. For Charley, this meant being reunited with Amy and Peter getting a new perspective.

- Other actors who popped up in this movie included Dave Franco, Will Denton and Dee Bradley Baker to name a few. Chris Sarandon also appeared.

- Peter's parents were former victims of Jerry's. I hated the Russell Brand look for the character.

- Standout music: Brian de Mercia's Blank Sabbath.

- Chronology: Present day Las Vegas, Nevada.

Fright Night (2011) might not hit the same way as it's 1985 version but it's one of the better horror remakes from the 2010s. Anton Yelchin, Colin Farrell and David Tennant are on particularly good form.

Rating: 7 out of 10 

My Review of Matthias And Maxime (2019)

 

Written And Directed by Xavier Dolan 

Matthias: "Max, it'll be weird not having you around but you'll come back a different person. So, to Max."

About a month ago, I hadn't seen any of Xavier Dolan's movies and now, I'm reviewing the last one that he's directed for now. It's been an interesting few weeks venturing into this filmmaker.

This movie focused on two men - Matthias Rivas (Gabriel D'Almeida Freitas) and his friend, Maxime Leduc (Xavier Dolan). They're friends but the movie somewhat hinted at their relationship being deeper than that. There's a longing between both men going beyond a simple friendship.

Matthias has a nice girlfriend named Sarah (Marilyn Castonguay) and was a successful businessman. Maxime on the other hand worked as a bartender and had an alcoholic mother that he fought with. Then there's the kiss between both men.

This was a topic brought up when their wealthy friend, Rivette (Pier-Luc Funk) had his pushy sister Erika (Camille Felton) got both Matthias and Maxime to kiss for a film project she was doing after her actors had dropped out for it. Needless to say that stirred some awkwardness between the pair.

Then there was the bigger issue. Maxime was leaving for Australia for work and Matthias didn't want him to go. Matthias ruined Maxime's leaving do and then made things even weirder with a confusing sexual encounter between the pair.

Throw in a rather offbeat appearance from Harris Dickinson as Kevin McAfee, a client of Matthias and there's a last minute ditch attempt for our title characters to rekindle their romance. 

- Anne Dorval appeared in the movie as Manon. Maxime had a facial scarring that Matthias brought up in one awkward scene.

- Xavier Dolan dedicated this movie to Eliza Hittman, Francis Lee, Joel Edgerton and Luca Guadagnino. They directed coming of age gay themed movies.

- Standout music: Britney Spears Work Bitch, Pet Shop Boys Always On My Mind and Alex Cameron's Stranger's Kiss.

- Chronology: 2019 in Montreal. Both characters left for Australia at the last minute.

Matthias And Maxime was a nice look into a complicated friendship between the title characters. Once again, there's strong performances from the leads and strong chemistry from both Xavier Dolan and Gabriel D'Almeida Freitas.

Rating: 7 out of 10 

My Review of The Death And Life Of John F. Donovan (2018)

 

Written by Xavier Dolan And Jacob Tierney 

Directed by Xavier Dolan

Audrey: "This last letter suggests he was full of hope..."

Rupert: "Which is why I am sure you will understand that, for obvious reasons, that is the version that I chose to believe."

After having watching six movies in French and predominantly set in Canada, I was interested to see what Xavier Dolan would be like out of his comfort zone. This movie felt like it was an adaptation but it's actually an original idea, co-written with Heated Rivalry creator/executive producer Jacob Tierney.

Focusing on an interview with Times journalist Audrey Newhouse (Thandiwe Newton) and an actor turned author named Rupert Turner (Ben Schnetzer), this film would also focus on the titular John F. Donovan (Kit Harington). In particular, the relationship between John and Rupert, which certainly impacted both of them.

In his younger years, Rupert (Jacob Tremblay) was enamoured with John's role in a show called Hellsome High. It's an undeniably cheesy show and it made Rupert the source of ridicule from his more mean spirited classmates. I got my own secondary school flashbacks when I was obsessed with Buffy The Vampire Slayer and I remember reading a similar essay about the show itself, so a certain scene made me want the ground to swallow me up. I hadn't thought about that in a very long time.

Anyways, while Rupert had a sympathetic teacher in Miss Kureshi (Amara Karan), he had a more turbulent relationship with his mother, Sam (Natalie Portman). Sam was furious about Rupert's writing to John and her resentment over her acting dreams never taking off was something she projected onto Rupert. However both mother and son did make amends and Sam encouraged Rupert's acting aspirations.

Going back to John - although it did hurt Rupert's feelings, it's not hard to see why he chose to deny the correspondence between them. John was a closeted gay man that the press were constantly trying to out. His relationships with his wife Amy (Emily Hampshire), mother Grace (Susan Sarandon), agent Barbara (Kathy Bates) and lover Will (Chris Zylka) all suffered for it as did John's career.

It wasn't so shocking to learn that John's life went down the pan and that he died shortly after being fired from the show that made his career. It's tragic and there's a gorgeously written scene between John and an elderly man (Michael Gambon) that was easily the best part of the movie. There's a lot of great scenes in a partly uneven movie.

Audrey started the film being scornful over the idea of having to interview Rupert and the latter seemed to take a delight in challenging her snobbery. By the end of the movie, I got the impression that maybe a friendship between the two had developed. 

- Rupert did turn out to be gay. He even had a boyfriend played by Gijs Blom. The latter popped up briefly at the end.

- Jessica Chastain had a role as an antagonistic journalist but her scenes were cut.

- Standout music: Adele's Rolling In The Deep, Lifehouse's Hanging By A Moment and Green Day's Jesus Of Suburbia.

- Chronology: Set in 2017 in Prague. Flashbacks in mid 2000s England and America.

The Death And Life Of John F. Donovan isn't Xavier Dolan's strongest movie and there's a few scenes that I did find a little cringe (and one that gave me secondary school flashbacks). Saying that, there's strong performances throughout.

Rating: 7 out of 10 

My Review of Blue Film (2025)

 

Written And Directed by Elliot Tuttle

Aaron (to Hank): "Maybe I'm a pervert too but at least I'm not criminally horny."

I've been wanting to see this film for quite some time. I was aware it was a movie that had a very grim subject matter and I was curious to see how exactly the topic at hand would be handled.

This movie should also be a test in just how good people's media literacy skills are because if you're one of those who thinks that a certain character's actions are condoned, I don't know what to say to you. I do actually - go back and watch the film again.

The movie opened with a webcam guy named Aaron Eagle (Kieron Moore) doing a live show and taking delight in draining his paypigs. If you're aware of findom, let's just say this felt a little too well researched. It's accuracy on another level. Let's also just say that opening scene didn't feel like a parody or half assed.

Anyways, Aaron's story involved him making a house call for $50,000 to a mystery man (Reed Birney) wearing a balaclava. The mystery man was keen on getting to know Aaron, which annoyed the latter. Then there was the big reveal itself and that's where this movie began to take a darker turn.

The mystery man was a former teacher of Aaron's named, Hank Grant and getting to the grim subject matter itself, Hank had a history of inappropriate behaviour towards boys. There's repeated talk of Hank being sent to prison for attempting to assault a former classmate of Aaron's and Hank admitted that he had an attraction to a younger Aaron.

While Hank definitely tried to provide context for the way he was as well as expressing some awareness into his depravity, that didn't stop him from acting out one of his fantasies with Aaron. It's one of the most disturbing scenes in the entire film and one of several moments that also shook Aaron's own bravado.

There's frank discussions on Aaron's sexuality and whether or not being into findom empowered or weakened him. Aaron claimed it didn't weaken him while also opening up to Hank about a past lover he regretted losing. Hank also talked about renewing his faith in religion, which Aaron did seem sceptical about.

The morning after everything that transpired in the movie served a cold light on both men. Is someone like Hank capable of keeping himself in check? I doubt it. Did that night change Aaron for the better or for the worst? I think him singing in the shower was meant to show some sort of catharsis.

- Aaron's real name was Alex McConnell. He lied to Hank about his aunt being inappropriate towards him. Raphael was the guy he let slip away.

- Hank mentioned having his grandfather's name, being an abuse victim of his grandfather with his mother sacrificing him to protect Hank's siblings.

- Aaron smoked, drank, did pot but also labelled himself "California Sober". Hank had given up drinking but chugged beers when told to. Both men ate pizza.

- Hank gave Aaron the $50,000 as well as school photos of both himself and Aaron. Hank originally intended to record their encounter but changed his mind. He also talked about pederasts.

- Standout music: Isaac Eiger did a great score as well as that song Aaron was singing at the end in the shower.

- Chronology: Present day Los Angeles. Both Aaron and Hank were from Bedford. Hank now worked at the Stop N Save.

Blue Film (2025) easily will terrify more than any horror film you'll watch this year. It's easily one of the most unsettling movies I've ever watched and it's grim subject matter didn't make for easy viewing. Saying that, there needs be a conversation about Kieron Moore and Reed Birney because both men give the most compelling performances I've seen this year. They should be getting included into awards conversation but I do think the subject matter will likely derail that. This movie will definitely stay in your mind.

Rating: 8 out of 10 

My Review of Blue (1993)

 

Written And Directed by Derek Jarman

Derek Jarman: "Hell on Earth is a waiting room."

I'm hoping to watch all of Jarman's filmography before this year ends but for Pride, I thought I'd take a look into his final film. Well, it's more or a documentary and a rather unconventional one to boot.

Towards the end of his life, Derek Jarman had HIV and passed away from it. This film meets documentary was a Frank discussion of the very topic of HIV and AIDS. There's a bold description of Jarman losing his sight, which also explained the chosen format for this movie.

Blue wasn't just the title of the movie. It was a character within the film itself. It's a character that fights with other colours like yellow for example. It's both character and colour throughout the movie.

It's also a look into Jarman's life (naturally) as it depicted how he would talk about the war in Sarajevo with friends while coming to grips with being a gay man living with AIDS in 1990s London. There's talk of the amount of tablets he needed to take per day and the taste of them. It's very frank in it's handling of the subject matter. Unapologetically so.

A recurring factor in the film was Jarman's discussion of certain men - David. Howard. Graham. Terry. Paul. They're friends and former lovers and men who profoundly impacted Jarman, hence the fact that they're mentioned so frequently throughout proceedings.

- Derek Jarman narrated this film but there was also narration from Tilda Swinton, John Quentin and Nigel Terry.

- The movie's entirely a blue screen. At this point, Jarman was physically and visually impaired.

- Standout music: The use of Tibetan bells are frequent but effective.

- Chronology: 1990s London of course.

Blue (1993) made for a poignant final film from Derek Jarman. It's shorter than some of his previous efforts and the use of a blue screen throughout certainly had the desire effect. It's frank take on the director's ending days definitely struck a chord. 

Rating: 8 out of 10 

My Review of Lizzie (2018)

 

Written by Bryce Kass

Directed by Craig William Macneill

Lizzie: "Men don't have to know things, Bridget. Women do."

Later on this year, I intend to cover Monster: The Lizzie Borden Story but before I do such a thing, I thought I'd cover this movie. Funnily enough, two of Ryan Murphy's alumni are in this one.

First up would be Chloë Sevigny herself. She got to play Lizzie Borden herself and it's a take that's relatively sympathetic to the infamous axe murderer. Prior to the murders themselves, time was spent getting to know Lizzie as a person.

As a person, Lizzie was something of a social oddity. Her father, Andrew (Jamey Sheridan) saw her as nothing more than an embarrassment and the two of them had an openly combative relationship. Andrew didn't exactly endear himself by killing her pigeons and serving them as dinner either.

Lizzie's relationships with other family members weren't as great either. Lizzie might have been more cordial with her older sister, Emma (Kim Dickens) but she was openly hostile to stepmother, Abby (Fiona Shaw). There was also a rather venomous hatred between Lizzie and her uncle John Morse (Denis O'Hare). The latter in particular was rather misogynistic towards Lizzie.

As for the most complicated relationship of the piece - there was Lizzie's relationship with Irish maid Bridget Sullivan (Kristen Stewart). The movie did explore a romance between the two that eventually devolved in light of events. 

The movie depicted both Lizzie and Bridget being responsible for the deaths of Abby and Andrew. The latter had also been abusing Bridget, which did give her a motive to assist Lizzie. Of course both women got away with the crime before going their separate ways.

- The movie made it clear that Emma suspected Lizzie and Bridget of the crime but that she didn't want her sister punished. John was also considered a suspect.

- The photograph of Lizzie's mother, Sarah was actually a photo of the real life person. 

- Standout music: Alfredo Catalani's Ebben? Ne Andrò Lontana From 'La Wally', Act I.

- Chronology: Six months beforehand and then the murder itself on August 4th 1892. Lizzie died at the age of 66.

Lizzie (2018) turned out to be a decent portrayal of the infamous axe murderer. Solid script, direction and performances overall helped with this one.

Rating: 7 out of 10