Written And Directed by Greta Gerwig
Jo: "Women, they have minds, and they have souls, as well as just hearts. And they've got ambition, and they've got talent, as well as just beauty. I'm so sick of people saying that love is just all a woman is fit for. I'm so sick of it."
Over a week ago, I watched and reviewed the 1994 version of this adaptation and while it still remains my favourite take on the source material, there's no denying that this version has a charm of its own as well.
Told in a non linear fashion, this one opened with Jo March (Saoirse Ronan) pitching her book to a publisher who wasn't particularly keen on a female protagonist. Also to Jo's annoyance, he wanted the main character to be married off by the end of the book.
From there onwards, we're going through different periods with Jo and her sisters, Meg (Emma Watson), Amy (Florence Pugh) and Beth (Eliza Scanlen) as well as Marmee (Laura Dern), the more acid tongued Aunt March (Meryl Streep) and of course Theodore 'Laurie' Laurence (Timothee Chalamet) himself.
Most of the plot remain the same. Jo's got an ambition to write and a staunch rejection of anything that would derail, including Laurie wanting to marry her. The rivalry between her and Amy in the first half of the movie definitely felt more contentious than in the 1994 version, with Amy almost being more deliberate in her antagonism towards Jo.
Of course Amy would be the one to become quite the artist in Paris with Aunt March and the one who Laurie would eventually marry. Jo of course would have her own romance with professor Friedrich Bhaer (Louis Garrel) but once it does feel like little time was spent developing that romance than even the 1994 movie did.
As for Meg, she settled into a good life with the nice John Brooke (James Norton) while Beth yet again, tragically died. There was some focus on Meg sacrificing her affluent life for a poorer one with John as well a little focus on Beth's musical talent. Once again, the March patriarch (Bob Odenkirk) appeared but his best scene was trading barbs with the cantankerous aunt before she died and the girls turned her house into a school.
- Greta Gerwig wasn't the original writer/director choice for this movie but she had cited that the book inspired her to want to be a writer and director.
- The sisters are all assigned core colours in their clothing. Jo got red, Meg got green and lavender, Beth got pink and brown and Amy got light blue. Though they did wear different colours as the movie went on.
- Standout music: The score from Alexandre Desplat certainly elevated the movie.
- Chronology: Civil War era in Concord, Massachusetts.
While the 1994 version would be my preferred take, this adaptation of Little Women has rightfully earned the success and praise it's gotten. It's extremely well cast, the nonlinear storytelling mixed it up and Gerwig's direction was brilliant.
Rating: 9 out of 10
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