My Review of The Spy Who Loved Me (1977)

 

Written by Christopher Wood And Richard Maibaum

Directed by Lewis Gilbert 

Sir Frederick Gray, Minister of Defence: "Bond! What do you think you're doing?"

James Bond: "Keeping the British end up, sir."

I'm getting into the swing of the Roger Moore era of James Bond and this was definitely an interesting take as it's probably the least book faithful of the Bond movies. It's almost a different film in itself.

The movie started with British and Soviet ballistic submarines suddenly vanish and there's a nice ski chase with Bond being pursued by the likes of Sergei Barsov (Michael Billington). He's also the lover of Anya Amasova (Barbara Bach).

She's on the side of the Soviets and an agent named XXX. She's also more than capable of giving James a run for his money and there's some undeniably strong sexual chemistry between the pair. I mean their chemistry's so good, it led to a truly funny final line in the movie.

Of course when James and Anya weren't flirting and sparring with one another, there was also the villain of the piece. Karl Stromberg (Curtis Jurgens) was a megalomaniac who wanted to cause World War III and destroy the world. He's definitely got the boo hiss baddie vibe and he's given a suitable death to boot.

However, it's not Stromberg who stood out the most. This was the movie that debuted Jaws (Richard Kiel). It's quite a movie when the henchman outshone the actual villain itself but looks at Jaws. He's a formidable foe that I enjoyed immensely and I'm glad that he survived this film.

- There's a solid performance from Caroline Munro as Stromberg's pilot and would be assassin, Naomi. 

- I did love the car that James and Anya could function underwater. That was a cool scene.

- Standout music: Carly Simon's Nobody Does It Better.

- Chronology: Set in Austria as well as Sardinia.

The Spy Who Loved Me might be the horniest film in the James Bond series but it's also a lot of fun and it debuted Jaws himself. It's hard not to have a good time with this one.

Rating: 7 out of 10 

My Review of Lanterns: "Bad Optics"

 

Written by Justin-Britt Gibson And Damon Lindelof

Directed by Stephen Williams 

John (re Hal): "Of course you wrote your own fucking eulogy."

After five episodes that were mostly in 2016 Rushville, it's nice that we're in 2026 just so recent events can be referenced and the main issue from the first episode can be addressed.

Yes, I'm talking about the death of Hal Jordan. Even now, I'm still not convinced he's actually dead. Yes, we saw a body. Yes, we hard that minimalist funeral but something just seems off about the whole thing. 

I can see why Hal Jordan fans might not like a lot of what this episode did. The debacle with the Manhunters had him serve prison time and become a much hated figure publicly. Not that John's viewed in a much positive light either.

As the man who rejected the ring, he became an architect and ran a business with Marcus trying to install panic rooms. He also wanted an apology from Hal and was the last to see Hal before the latter was murdered. Did John kill Hal? Obviously not. 

John got some great scenes with both Kerry and an older Noah (Shea Prichard). John even got to meet both Guy Gardner (Nathan Fillion) and Carol Ferris (Amie MacKenzie). It's nice that the latter does exist in the DCU but it also looks like this version never became Star Sapphire, which is a bit disappointing.

As for Hal, we've got two episodes left to either solve his murder if he's actually dead or two episodes to explain why he faked his death. I'm still rooting for Hal to actually be alive and yes, I think it's likely that he broke Sinestro out of prison. 

- I had forgotten about Hal's pet plant, Earl until John had to feed it. Hal and Carol were estranged.

- Guy's ring is his own. He stole Hal's from Oa, even risking being sent to the Phantom Zone. He's also an athletic director (gym teacher) and set up his own beacon in Rushville.

- Maggie the waitress wanted reparations from John, Kerry and Billy separated, she got involved with Hal and Noah has political aspirations. John was also funding Aaron's album.

- Events from both The Suicide Squad (2021) and Superman (2025) were mentioned in this episode. Batman was also referenced.

- Standout music: Dan Auerbach's Heartbroken, In Disrepair.

- Chronology: 2026 Rushville for most of the episode.

Bad Optics was a scathing look into the man formerly known as Hal Jordan with John and Guy getting an interesting first meeting. I hope these next two episodes stick the landing regardless of whether Hal's alive or dead.

Rating: 8 out of 10 

Doctor Who - Tender Times Are A Coming!

I joke but yes, a few months ago upon this year's Christmas special of Doctor Who getting cancelled this news has resurfaced.

Officially announced a few days ago, any production company can shoot their shot and pitch ideas on how to revitalise the show for a modern audience. While there are no specifics on casting for the 16th Doctor or even episode counts, there's a desire to try to get the show back in production by 2028/2029 as well as a possibility of it continuing to film in Cardiff. With any luck, this hopefully will see a positive change for the show moving forward. I'll post more concrete news as it presents itself.

While the main show itself might off air, the multimedia event saga also known as Circuit Breaker has had Jo Martin's Fugitive Doctor rather busy and has been single handledly keeping the Doctor Who social pages mostly alive. Better than that, this event has brought about the much welcomed return of Freema Agyeman's Martha Jones. You can read the Fugitive Doctor and Martha's reunion in the books The Kaleidoscope by Jo Martin and the short story The Doctor And The Three Witches in Time Lord Fairy Tales.

Last but not least, it's been over nine months since BBC1 released spinoff series, The War Between The Land And The Sea. According to Russell Tovey, who played Barclay Pierre-Dupont in the show, Disney+ will supposedly release it in 2027. The latter themselves have yet to comment on this. Personally, I'm not holding my breath and I suspect anyone outside the UK/Ireland who has wanted to see this show already did through other means.

I'll keep posting further updates on the Whoinverse when they become available.

My Review of Tony (2026)

 

Written by Matt Johnson And Matthew Miller And Todd Bartels And Lou Howe

Directed by Matt Johnson 

Tony: "You know I can cook too."

Okay, I've watched enough horror, spies and axe murderers this week, so I thought I'd opt for something different. You know, a biopic on a recently deceased chef with a promising actor from an Oscar nominated movie in the lead role.

Yup, I'm talking about this take on the celebrated Anthony "Tony" Bourdain with Dominic Sessa in the lead role. This film would cover a small portion into Bourdain's life. Think of it as an origin story of sorts.

The portion being Bordain wanting to be a writer and applying to a writing fellowship in New York City. This was something he had no problem using in trying to impress a girl named Nancy (Emilia Jones) with mixed results. His own parents on the other hand - Pierre (Rich Sommer) and Gladys (Dagmara Domińczyk) were a bit trickier to get around.

Anyways, Tony didn't get the fellowship, so he got blind drunk, got mugged and conveniently ended up in Provincetown where he "forgot" that Nancy also happened to be. Then he ended up in the 1970s version of The Bear while figuring his shit out and hooking up with Nancy. 

The movie did liven up a bit with characters like Chef José Vatel (Antonio Banderas) and restaurant workers such as Sal (Leo Woodall), Stavros (Stavros Halkias) and Mary (Monica Raymund). As characters, they're a mixed bag but they certainly do humble and challenge Bourdain within the film itself.

Things did move along as Anthony had a thing with Nancy that was built on lies while his writing aspirations also didn't waver. The end scene really did feel like it should've been the beginning of a more detailed look into the man's life.

- Originally this did start out as a Black List script before it was pitched to Matt Johnson.

- There's a cameo appearance from Eric Rupert, who appeared at the end.

- Standout music: Eric Burdon and War's Magic Mountain.

- Chronology: 1975 and 1979 in New York and Provincetown.

Tony made for an undercooked biopic on the late Anthony Bourdain. Dominic Sessa did give a commendable lead performance and there's fine support but not enough to make this risible.

Rating: 6 out of 10 

My Review of The Man With The Golden Gun (1974)

 

Written by Richard Maibaum And Tom Mankiewicz

Directed by Guy Hamilton 

James Bond: "I admit killing you would be a pleasure."

Francisco Scaramanga: "Then you should have done that when you first saw me. But then, of course, the English don't consider it sporting to kill in cold blood, do they?"

James Bond: "Don't count on that."

After the rather disappointing Live And Let Die (1973), I'm pleased to say that Roger Moore's second outing as James Bond was far more enjoyable. The presence of a certain also helping the matter.

Let's talk about the title villain, shall we? Whoever decided to cast horror icon Christopher Lee as assassin Francisco Scaramanga deserves a raise. He's utterly brilliant in this role as the three nipple baddie with a golden gun and bullets to boot.

He played off Roger Moore's Bond brilliant, proving to be quite the credible threat to 007. His use of subterfuge almost worked on Bond until it didn't. I even felt a little bad when he was defeated. I would've liked him as a returning threat to James.

Then there was Scaramanga's diminutive manservant, Nick Nack (Hervé Villechaize). He's another standout character and in spite of his stature, he certainly knew how to keep James on his toes. Once again, I even felt bad for him when he was outsmarted by James at the end of the film.

As for the love interests in the film - did James really have a serious relationship with Mary Goodnight (Britt Ekland)? It was certainly an improvement on what was seen with him and Solitaire from the previous movie. There was some genuine sparks between the two of them.

I couldn't end this review without mentioning the most incredible character that James spent time with in this film. I'm talking about Louisiana sheriff J.W. Pepper (Clifton James). Talk about a fun character to have while James was trying to rescue Goodnight and stop Scaramanga's whole plan.

- Maud Adams appeared as Andrea Anders, the girlfriend of Scaramanga. James had no problem threatening her to get to him.

- Moneypenny seemed a bit cooler with James than she did in previous films.

- Standout music: John Barry's The Man With The Golden Gun.

- Chronology: Largely set in Thailand as well as scenes in London, Beirut and Macau.

The Man With The Golden Gun was definitely a marked improvement for Roger Moore's second outing as James Bond. Throw in some great support from Christopher Lee and Britt Ekland and this one's a winner.

Rating: 7 out of 10 

My Review of Jaws: The Revenge (1987)

 

Written by Michael de Guzman

Directed by Joseph Sargent 

Michael: "Dad died of a heart attack!"

Ellen: "No. He died from fear. The fear of it killed him."

Okay and I thought the worst sequel in 1987 was Superman IV: The Quest For Peace. I guess I was wrong, huh? Yup, this one really stank out the waters, huh?

A part of me has to wonder why these sequels insisted on continuing with the Brody family when it would've made more sense for each sequel to have featured different groups of people and in different locations.

Off screen, the hero of the first movie Martin Brody died, leaving his wife, Ellen (Lorraine Gary). If she wasn't a fan of the water beforehand, Martin's death along with youngest son, Sean (Mitchell Anderson) being killed early in the movie didn't improve her mood.

Older son, Michael (Lance Guest) took the lead once again and this time he had a wife named Carla (Karen Young) and daughter named Thea (Judith Barsi) to provide for. It turned out that Michael's previous shark encounters have done little to deter him from the waters. Even his family couldn't get him out of it.

There's conflict between Michael and Ellen over the latter believing the family was essentially cursed and also her budding romance with the rather valued, Hoagie (Michael Caine). I was actually shocked to see Caine in this movie.

Anyways, there's actually a good supporting performance from Mario Van Peebles as Michael's co-worker, Jake. He's actually a good friend/foil to Michael and even managed to survive nearly being mauled to death by the shark in question.

The third act was probably the strongest part but also felt like it was going through the motions with both Michael and Ellen having to resolve their issues and survive being shark food. Of course they made it out of this one alive.

- There's some archive footage of Roy Scheider from the first movie used in this film.

- Jake died in the original cut but kept alive in the revised ending.

- Standout music: Stacy Lattislaw's Nail To The Wall.

- Chronology: Set during the Christmas and New Year's period on Amity Island and the Bahamas.

Jaws: The Revenge might be one of the most boring sequels to any franchise going. Dull, lifeless and incredibly dreary from start to finish. Watch it if you're a completing, otherwise don't bother.

Rating: 4 out of 10 

My Review of Monster: The Lizzie Borden Story (Netflix Series, 2026)

 

Written by Ian Brennan

Directed by Max Winkler And Sarah Adina Smith

Lizzie (to Bridget): "Just let me have the first whack."

In the previous three seasons of Monster/s, we've seen audiences being wholly divided on the handling of Jeffrey Dahmer, Lyle and Erik Menendez and Ed Gein. It was definitely time to tackle an infamous American female killer. Funny how two of them factor into this fourth season with mixed results.

Over the last few months, I've watched some other depictions of Lizzie Borden in preparation for this show. Ella Beatty isn't a stranger to the world of Ryan Murphy as she's previously appeared in Feud: Capote Vs. The Swans and acquitted herself well there. She's finely cast here as Lizzie Borden herself but if I'm being honest, she's slightly upstaged by Vicky Krieps's constant hair changing Irish maid, Bridget Sullivan.

Krieps might be the ultimate standout of this season as a whole. As Bridget, there's the impact of her relationship with Lizzie, which did of course go down the Sapphic route between the two of them. She's also instrumental in the brutal deaths of Lizzie's father Andrew (Charlie Hunnam) and stepmother Abby Borden (Rebecca Hall). Oftentimes, I felt like I knew Bridget more than I knew Lizzie.

On top of that, Krieps also spent half the season playing the sadistic and bloodthirsty Countess Elizabeth Bathory. She's just as effective in that role as she was as Bridget. The more I think of it, the more it's clear that Krieps was the standout performance of the whole season.

While the Elizabeth Bathory plot managed to tie into Lizzie Borden's story better than expected, I'll admit the use of Aileen Wuornos was more of a mixed bag. Sarah Paulson gave the sort of performance that was solid work but some of the dialogue that tried to draw parallels between Aileen and Lizzie was very clunky at times. It didn't quite land as it should've done.

Getting back to Family Borden. Yup, they were a lot. Abby behaved like the typical evil stepmother while Andrew barely tolerated his daughters and second wife. Emma Borden (Billie Lourd) didn't care for Lizzie until the script needed her to and abandoned her when the script also required her to do so.

Then there's estranged uncle John Morse (Joey Pollari) himself. He's a guy who desperately wanted money he felt he was owed and tried and failed to be a foil to both Andrew and Lizzie at different points. There's a brief encounter with Abby that added little value to proceedings before he slipped out of the picture as quickly as he entered.

Another character who was a mixed bag was stage actress Nance O'Neil (Jessica Barden). I found the character grating to begin with but she won me over with the way she trained Lizzie for that trial. One of the campest performances in the entire season.

Now this had me thinking as well. The first three seasons were dead serious but tonally, it felt like this season was riffing the likes of Killing Eve and Fleabag. The season tried to say a lot about female rage and even ended on voting rights for women. It's handling of such topics aren't bad but definitely could've been tackled a little better.

- Episode titles are Bloodbath, Strong Kitty, Whack Job!, R.I.P. (Rest In Pestilence) Abby Borden, 41, Bed And Breakfast, The Trial Of The Century and Carnival.

- Andrew named all of his axes after women while John named his knives after men. John being a suspect was briefly referenced in the last episode.

- Other noteworthy performances were from Jessica Lee, Ari Graynor and Linda Reiter.

- Cherries were referenced a lot with the likes of Lizzie, Bridget, Abby and John all being fond of them. Both the fruit and the trees.

- Standout music: The Runaways Cherry Bomb, Bronski Beat's Smalltown Boy and Natalie Merchant's Carnival.

- Chronology: 1892 to 1911 in Falls River, Massachusetts as well as Montana. There was also 1500/1600s Hungary for Elizabeth Bathory and 1980s/1990s/2000s for Aileen Wuornos.

I think Monster: The Lizzie Borden Story was definitely an improvement on the previous season but not as strong as the first two seasons. It had things to say about female rage, prisons, misogyny and so on but the messages don't quite land the way they should. Ella Beatty was a good casting choice for Lizzie Borden but it's Vicky Krieps's dual roles of Bridget Sullivan and Elizabeth Bathory that was the standout of this season.

Rating: 7 out of 10 

My Review of Live And Let Die (1973)

 

Written by Tom Mankiewicz

Directed by Guy Hamilton

Solitaire: "Where's Kananga?"

James Bond: "He always did have an inflated opinion of himself."

It's a new era of James Bond. After six movies of Sean Connery (with one still on the horizon) and one adventure with George Lazenby, I'm on to the Roger Moore era of this franchise. This was a mixed bag of a start.

There's no doubt that Roger Moore would go on to be seen as successful as his predecessor but I'm not so sure if elements of this film have aged too well. It's certainly stereotyping in a way.

There's a slew of agents being killed off, which made up the first few minutes of this film. In different locations too. Take in the small Caribbean nation of San Monique and James had a dictator named Dr. Kananga/Mr Big (Yaphet Kotto). He's also a drug lord and not above sacrifices to boot.

One of the most memorable members of Kananga's posse was his psychic Solitaire (Jane Seymour). She can see things when the plot called for it and it took very little for her to seduce and betray James when the plot suited it. Kananga was also rather possessive of her and didn't take Kindly to the idea of her and Bond together. Kananga only tried and failed to kill both of them.

As a villain, there's a good performance from Yaphet Kotto and he's a physically imposing threat to Roger Moore's Bond. I just wish the writing for him was a lot more nuanced than it actually was. It's very stereotypical and not always in a good way.

Keeping with the unfortunate stereotyping - what was up with junior CIA agent, Rosie Carver? Despite a very charismatic performance from Gloria Hendry, she might be one of the worst written Bond girls I've seen so far and she's given a rather undignified death to boot.

- The son of Quarrel appeared in this film as did Moneypenny, Felix and M at different points. 

- Kananga's henchman was actually Baron Samedi (Geoffrey Holder) who also popped up to cause problems for James.

- Standout music: Paul McCartney Live And Let Die.

- Chronology: Scenes in both New York and the Carribean for this one.

Live And Let Die makes for a middle of the road debut for Roger Moore's James Bond with some of the film really feeling stereotypical and dates in parts. I wanted to like this one a lot more than I actually did. A tad disappointing.

Rating: 6 out of 10

My Review of Jaws 3-D (1983)

 

Written by Richard Matheson And Carl Gottlieb And Guerdon Trueblood

Directed by Joe Alves

Mike: "White sharks are dangerous. I know 'em. My father, my brother, myself. They're murderers."

It's usually around this time in a horror, there's an attempt to switch up the leading protagonist. This film ditched Martin Brody (kind of) and instead moved the focus on to his oldest son, Michael (Dennis Quaid).

Michael's older than we last seen him and he's got a girlfriend named Kathryn "Kay" Morgan (Bess Armstrong). Both of them are working at SeaWorld Orlando and once again, the great white shark would present itself as a major problem.

This time around you've got some cute dolphins also chucked into the mix but the mama shark who's not happy with the treatment of her baby was the star attraction. Those human really don't learn a damn thing, huh?

It's a sprawling and messy third outing with Michael and Kay as the main heroes of the piece. There's also the return of Sean (John Putch) and his girlfriend, Kelly Ann Bukowski (Lea Thompson), making up a younger group of protagonists compared to the first movie.

There's a few decent kills throughout the film, particularly with characters like Overman (Harry Grant) and FitzRoyce (Simon MacCorkindale). Once again, the shark got a rather explosive ending, finishing this film on a bloody note.

- The studio forced the inclusion of both Mike and Sean, which the writer thought was dumb. 

- I have to laugh at Roy Scheider making himself unavailable to be a part of this movie. He made the right call there.

- This was in an early cycle of 1980s movie to use 3D technology.

- Chronology: A few years since the events of the second movie and set in Orlando.

Jaws 3-D isn't a good movie. It's pretty trashy and most of the cast do look like they'd rather be anywhere else. There's a few entertaining moments but not many to save it.

Rating: 5 out of 10 

My Review of Diamonds Are Forever (1971)

 

Written by Richard Maibaum And Tom Mankiewicz

Directed by Guy Hamilton 

Blofeld: "Right idea, Mr. Bond..."

James Bond: "...But wrong pussy."

After a taste of a different Bond, we're back to Sean Connery for his penultimate take in the role and it's a rather vengeful version of the character.

Already I love the fact that the events of On Her Majesty's Secret Service formed the spine of this film. Tracy's death did a number on James and he was determined to make Blofeld (Charles Gray) pay for it. 

Of course given the title of this movie, diamonds were also a big thing here. There's a mission that involved Bond impersonating a diamond smuggler to infiltrate a smuggling ring. Blofeld also wanted diamond to build a space based laser weapon.

There's a genuinely funny in the film where Bond managed to convince others that he himself had killed James Bond. It's one of the best moments. There's also a plot involving Blofeld lookalikes in which James killed one of them. That was also particularly daft to watch.

Blofeld in these movies has increasingly become a great thorn in James's side and their confrontation here had a nice sense of finality. Was this genuinely the end for Blofeld? It certainly appeared to be. As a villain he had a good run of film and multiple actors playing him. This was probably the best time to take the character out of the equation.

As for the Bond girls, there's diamond smuggler Tiffany Case (Jill St. John) and Plenty O'Toole (Lana Wood). The latter's only memorable moments was landing in the pool while the former was a bad girl that sort of reformed while having to ally herself with Bond. After Tracy, I don't think either stood out as well as they could've.

- Again there's some good supporting moments from both Felix and Moneypenny in this movie. Bond also got his backside handed to him by Bambi and Thumper.

- Charles Gray previously played Henderson in You Only Live Twice.

- Standout music: Shirley Bassey's Diamonds Are Forever.

- Chronology: Las Vegas and California for most of the film.

Diamonds Are Forever was an enjoyable follow up to the previous film and marked a good ending to one of his most enduring enemies. It's also got one of the best theme tunes from the entire franchise.

Rating: 8 out of 10 

My Review of Hitchcock (2012)

 

Written by John J. McLaughlin

Directed by Sacha Gervasi 

Alfred: "I will never find a Hitchcock blonde as beautiful as you."

Alma: "Oh, Hitch. I've waited thirty years to hear you say that."

Alfred: "And that my dear, is why they call me the Master of Suspense."

Last year when I was watching Monster: The Ed Gein Story, I had some mixed feelings on the handling of the Psycho side of things. I also knew that I needed to watch this particular movie. That's what I got around to the other day.

This movie could be split into three different stories. There's the making of a certain movie by Alfred Hitchcock (Anthony Hopkins) and everything that came with it. Then there's also Hitchcock's marriage to Alma Revelle (Helen Mirren) and an exploration into his fixation on younger blonde leading ladies.

In priority, let's go with the production of Psycho first. The studio wanted another North By Northwest but Alfred wanted to make something that would shock the audience, even if he had to make certain sacrifices in order to get it done.

There's a look into some of his casting choices like Anthony Perkins (James D'Arcy), Janet Leigh (Scarlett Johansson), Vera Miles (Jessica Biel) and John Gavin (Josh Yeo). Oddly enough, Anthony's the least focused in that group of actors as the focus pivoted more towards Janet and Vera.

It's no secret that Hitchcock could be a menace to his leading ladies and I definitely like this movie attempted to address this but in a way that didn't add much to it. He's kind enough to Janet but he also admitted to derailing Vera because the latter became a mother.

The strongest aspect of the movie was anything involving Hitchcock's marriage to Alma. It's briefly threatened by her friendship with writer Whitfield Cook (Danny Huston) but they had an enduring marriage and thematically, it's the spine of this film. 

- Hitchcock had visions of Ed Gein (Michael Wincott) throughout the film. Ed's murder of his brother was the opening scene.

- Anthony's homosexuality (and Norman Bates being queer) and his own mommy issues were mentioned. Anthony also alluded to both Rope and Strangers On A Train.

- Standout music: Charles Gounod's Funeral March Of A Marionette.

- Chronology: It's set during the production and premiere of Psycho.

Hitchcock (2012) did lose points for not really giving a certain aspect the focus it needed. Overall, it's a strong look into the legendary director and his most infamous of works. Both Anthony Hopkins and Helen Mirren are fantastic.

Rating: 7 out of 10 

My Review of Jaws 2 (1978)

 

Written by Carl Gottlieb And Howard Sackler

Directed by Jeannot Szwarc

Martin Brody (to the shark): "All right, you big bastard! Come On! I've got something for ya' now! That's it! Attaboy, come one! Right over here! Open wide OPEN WIDE! SAY AAH!"

Now this and the next two movies are first time watches for me. Jaws becoming so popular it spawned threw bloody sequels. Are they any good? Not by reputation apparently but this first sequel was a decent attempt.

The film opened with the wreckage of the Orca and within a few minutes, two scuba divers ended up being killed. It's a good way to start the movie as of course, there would be another great white shark to cause havoc yet again.

Now, what about Martin Brody (Roy Scheider)? He was the hero of the previous movie but in this one, he's a source of ire for the incompetent mayor (Murray Hamilton) and lost his job to a younger colleague in Deputy Hendricks (Jeffrey Kramer). Oh and then there's his family too.

While his wife Ellen (Lorraine Grey) was supportive, his sons were definitely a source of frustration. Both Mike (Mark Gunnar) and Sean (Marc Gilpin) were both drawn to the water and both ended up nearly being shark fodder.

The third act was where things got interesting. It's not quite as impacting as the first time but it's still effective. The shark got some victims, there's a few tense moments and of course, another grisly shark death.

- The most memorable aspect was the tagline "just when you thought it was safe to go back in the water".

- Roy Scheider returned for this movie after leaving The Deer Hunter and not wanting to incur any further studio wrath.

- Standout music: Tony Hatch's Downtown.

- Chronology: Four years since the events of the first movie.

Jaws 2 turned out to be an okay sequel. It did rethread similar ground to the first one with the events of that also driving the narrative home. I didn't find it objectionable.

Rating: 6 out of 10

My Review of Jaws (1975)

 

Written by Peter Benchley And Carl Gottlieb

Directed by Steven Spielberg 

Brody: "You're gonna need a bigger boat."

Look, so far this year, I've watched at least two straight to streaming shark themed movies. For obvious reasons, it's madee go back to this particular movie. A movie, I should point out that I've ever watched once in my life and a very long, long time ago.

One of the most iconic movies ever and one of Steven Spielberg's most seminal of works. It's also pretty damn straightforward too. A local seaside town. One great white shark. Throw in a very flawed hero and you've got a movie classic.

The flawed hero being police chief Martin Brody (Rob Scheider). It was his responsibility to protect his town from the man eating shark and it was a task that he wasn't entirely up to. People died and it took getting slapped by a grieving woman to make him step to saving the town from that troublesome shark.

At least on that front, Brody teamed up with marine biologist Hooper (Richard Dreyfuss) and a professional shark hunter Quint (Robert Shaw) to actually try to stop the shark. Throw in some group tension, chum and World War II stories and you've got one hell of a team up.

I did like the rapport between Brody, Quint and Hooper as they did their best to actually solve the great shark problem of the movie. It's amazing how simple the sheer tension and horror in trying to take one shark out can be.

The shark itself might not look too terrifying for a modern audience but the way it's shot certainly helped convinced it's effectiveness. There's a few more deaths before one incredibly explosive ending.

- The film was based on Peter Benchley's 1974 book of the same name.

- Three sequels released between 1978-1987 emerged as a result of the success of this film.

- Standout music: Irving King's Show Me The Way To Go Home and of course that score music choice during a certain scene.

- Chronology: Set in the beach town of Amity Island, New England.

Over half a century later and yes, Jaws (1975) absolutely and most definitely holds up as a nautical themed horror fest. It's so simple but effective in it's in terror. I guess I better watch those sequels now.

Rating: 8 out of 10 

My Review of Lanterns: "Lights Out"

 

Written by Justin Britt-Gibson 

Directed by Geeta Vasant Patel

Hal (to John): "You were never gonna replace me, Junior. Here endeth your training."

This episode would be what is known as a fucking game changer. If you were hoping for the show to finally get out of 2026, then you're going to be very pleased with what went down here.

First of all, major fucking props need to be given to Poorna Jagannathan. On paper, Zoe appeared to be the generic love interest but having her as a rogue Manhunter that had both William and Kerry under her control as well as John. Yup, she truly stepped up as a baddie in this one.

The backstory she had with Kerry was a brilliant reveal. Kerry knew all along that Zoe was the Manhunter but said nothing. She's a damn sight better at lying than expected. I also got William so wrong. He was so devoted to Zoe that he allowed Antaan to practically kill him.

Of course, as clever as Zoe was, her downfall was always going to come in the shape of Hal Jordan. That man will not go down without a fight and Zoe's attempts to turn John against him pretty much backfired. She did come close enough though, considering that massive scrap we got between John and Hal in the motel.

However when it became clear that her plan failed, Zoe seemed surprisingly calm about John killing her. She didn't even try to stop him, which I found really odd. Thus endeth the Manhunter segment of the season, I presume. Well, the 2016 aspect at least.

John ultimately rejecting the ring after nearly killing Hal for it was another shocking moment. Even Lianna looked shocked when John turned it down. For comic book fans, I could see why that would've annoyed them but dramatically, it was a fucking brilliant way to end the episode. I was shook with that scene.

- Kerry had a criminal backstory when she arrived in Rushville. Zoe cut Kerry's pinky to bail her out but also helped to regrow another. She also healed John's very burnt skin.

- Zoe genuinely seemed to care about Noah and she also killed Abin Sur. Is Billy the only adult in that family who didn't know Zoe was a Manhunter?

- I'm probably reaching here but did Hal admit to being bisexual during that conversation with Antaan? Probably not.

- Once again, John's parents were relegated to an off screen phone call.

- Standout music: Away From Home (Rushville's Lament) by Ari Mason and Wayne Ingram.

- Chronology: Kerry arrived in Rushville in 2007. This episode culminated the events of 2016.

Lights Out hit a season high and probably could've been a finale in its own right. Those final three episodes are seriously gonna have to work overtime to match this superb outing.

Rating: 9 out of 10 

My Review of On Her Majesty's Secret Service (1969)

 

Written by Richard Maibaum And Simon Raven

Directed by Peter R. Hunt

James Bond (re Tracy): "It's all right. It's quite all right, really. She's having a rest. We'll be going on soon. There's no hurry, you see. We have all the time in the world."

If things had played out much differently, this would've been the start of a slew of James Bond movies with George Lazenby in the title role. Instead, it's a one and done deal and I'm going to say something controversial - I really love this movie. 

As much as I enjoyed Sean Connery in the role (and there's two more films with him to get to), I actually do think that George Lazenby was a worthy successor. As far as I'm concerned, he doesn't put a foot wrong here.

This was a version of Bond that upped his womanising ways when he went undercover in an environment where that wasn't his best course of action. He's also a Bond who just happened to get married to a woman who could easily match him.

The woman in question was Contessa Teresa di Vicenzo (Diana Rigg) or Tracy as she was mostly referred to in this one. There's something rather romcom like with James and Tracy, coupled with some slapstick humour, actual slapping and a father named Marc-Ange Draco (Gabriele Ferzetti) who desperately wanted James for a son in law. James wanted Blofeld (Tell.y Savalas). By the end of this film, he'd want Blofeld even more.

Putting most of the action in a retreat in Switzerland during the Christmas season was a brilliant idea. James got surrounded by beautiful women named the Angels of Death. Those women were of course sleeper agents for Blofeld's latest scheme. That didn't stop James from sleeping with the likes of Ruby (Angela Scoular) and Nancy (Catherina von Schell) as well as scuppering Blofeld's plans.

Then there's the wedding of James and Tracy. It's a beautiful affair, also bittersweet in the way Moneypenny herself quietly reacted to the day. Tracy's death at the end by Irma Bunt (Ilse Steppat) was genuinely heartbreaking to watch with James's solemn breakdown making it all the more effective.

- Did some of the women/Angels of Death really assume Sir Hilary Bray (George Baker) was gay? Bond impersonated him for that assignment.

- Joanna Lumley appeared as an Englishwoman for Blofeld's Angels of Death. All of them were of different nationalities.

- Standout music: John Barry's We Have All The Time In The World.

- Chronology: London, Switzerland and Portugal all factored in this film as did Christmas.

On Her Majesty's Secret Service to me might be one of the best James Bond movies ever made. It's almost one of the most heartbreaking with a beautifully depicted doomed love between James and Tracy. George Lazenby definitely deserves more praise for this film as does Diana Rigg.

Rating: 9 out of 10 

My Review of The Devil's Mouth (2026)

 

Written by Aja Gabel And Myung Joh Wesner

Directed by Jeff Wadlow

Sara: "I'm not afraid of water, just what might be in it."

2026 seems to be the year for straight to streaming shark related movies. A couple of months I found Netflix's Thrash somewhat entertaining and Amazon Prime also got into the spirit of the idea for this mid summer release.

Take five friends - Sara (Kathryn Newton), Max (Lana Condor), Adrianne (Tommi Rose), Greg (Gavin Casalegno) and James (Nico Hiraga). Then bring them to Thailand for a graduation trip before they embark on the big world separately and you've got a disaster that was about to unfold.

Sara's great idea for a bonding experience was trip to a water cave known as the Devil's Mouth that her father once experienced. In that particular, the gang and their unfortunate guide, Wat (Tayme Thapthimthong) would have the experience from hell. For water that was meant to be unoccupied, there was a ravenous bull shark in the mix.

Sara and her friends got thrown into this horrible scenario before the film hit it's halfway mark. The rest of the film was various friends (and Wat) being picked off, one by one. There was also plenty of group fighting and friendships/relationships being deconstructed at the worst possible time.

For a moment, it did look like both Sara and Max were going to share the final girl title. Sara and Max's friendship really got put under the microscope. Did the two of them even really like each other? Did they both really want to be in each others lives, post graduation? I do think had Max survived, maybe we would've gotten a definite answer with those questions.

Sara being the sole survivor was hardly a shocker. She's the closest to a developed character in a movie that's paper thin on development. I will say that Kathryn Newton has been building a solid horror career and there's something satisfying in that final moment when Sara got herself out of the cave to freedom.

- Sara literally got left in the water by her friends early in the film and stung by a lot of jellyfish. That should've killed her.

- Sara was the only singleton among her friendship. There was a brief flirtation with another guide but it led nowhere.

- Standout music: Courtship's Warm Waters.

- Chronology: The whole movie's set in present day Thailand.

The Devil's Mouth is a diverting enough tale of watery doom with a hungry shark on the prowl. It's nothing to get too excited over but a solid performance from the cast keeps it moving along nicely.

Rating: 6 out of 10 

My Review of Shattered (2022)

 

Written by David Loughery

Directed by Luis Prieto

Sky (re Sebastian): "Don't tell him I said so, but he's not half the lover you are."

Chris: "Every word that comes out of your mouth is a lie."

I'm going to take something of an educated guess and assume that movies like Misery (1990) and Knock Knock (2015) might have had something of an influence behind this tepid thriller of sorts. Also, you're being asked to sympathise with a tech billionaire, which even back in 2022 might have been asking a lot.

The billionaire in question was a man named Chris Decker and he's played by Cameron Monaghan. Between Shameless and Gotham, it's kind of a shame that Cameron Monaghan hasn't really popped off onto bigger things as an actor. 

In this movie alone, he's combating a paper thin protagonist role, an isolated location, an ex-wife and daughter and some rather dull villains with basic motivations. None of these things are particularly executed well.

Anyways, the movie wanted me to believe that Chris was a nice guy by having him help out the mysterious, Sky (Lilly Krug). Sky's clearly a nutcase before the inevitable reveal of being one and Chris found himself at her mercy following an injury that left him in a wheelchair.

Sky was actively stalking Chris along with her creepy stepdad Sebastian (Frank Grillo). Their plan was to basically rob Chris of his money and then kill him. They weren't above cutting his thumb off to get his print either.

The obstacle to their plan however turned out to be Chris's soon to be ex-wife, Jamie (Sasha Luss) and daughter, Willow (Ridley Bateman). Without the both of them, Chris would've been a destitute dead man from two absolute losers like Sky and Sebastian. Fortunately, both of them got their just desserts.

- John Malkovich and Ash Santos had supporting roles as Sky's landlord Ronald and lover/roommate Lisa respectively.

- Chris's app that made him into a billionaire was a security program called Watchdog.

- I had to laugh at Ronald wanting to steal one of Chris's paintings instead of trying to rescue him. 

- Chronology: Set in an isolated enough location over a few days. The movie was filmed in Montana.

Shattered (2022) turned out to be a pretty dull affair that wasted some of its cast. There's a good idea in there but it's executed poorly. Cameron Monaghan did his best with what he was given to work with but not enough to salvage this one.

Rating: 5 out of 10 

My Review of You Only Live Twice (1967)

 

Written by Roald Dahl

Directed by Lewis Gilbert 

James Bond: "Oh the things I do for England."

I'm nearing the end of the Sean Connery era of James Bond and after a few brief appearances in other movies, a certain someone decided to make his presence felt. That and his very white cat.

I'm of course talking about Ernst Stravro Blofeld (Donald Pleasance). Yup, this film very much had him as SPECTRE's main villain and he got some rather delightful scenes with James Bond himself.

Arguably some of the best villain scenes were with Blofeld and Bond. Blofeld was hired to help start a Soviet-American war and he came rather close to succeeding. Blofeld also tried to have Bond killed at the start and then punished those who failed to do so. Alas, poor Helga Brandt (Karin Dor). She was piranha food.

Did Blofeld overall win in his endeavours? Of course not but he did live to see another day compared to past antagonists and again, I have to commend Donald Pleasance's performance throughout this film. He's just brilliantly pitted against Sean Connery.

As for the women in Bond's life, this time we had Kissy Suzuki (Mie Hama). She actually got to marry James as part of an undercover storyline but she very much matched him throughout. Perhaps one of the more underrated of Bond women in this franchise.

There's also the Japanese secret service themselves who aided James Bond in this film. I quite liked the character of Tiger Tanaka (Tetsurō Tamba). He served as both a strong ally and slight foil to Bond and his scenes were a delight to watch.

- George Lazenby would step in for the next movie On Her Majesty's Secret Service but Sean Connery would reprise the role for Diamonds Are Forever.

- James was also sleeping with doomed agent Aki (Akiko Wakabayashi) before her death. We got some scenes with M, Moneypenny and Felix and pointed comments about James's smoking.

- Standout music: John Barry's You Only Live Twice.

- Chronology: Mostly set in Tokyo after Bond faked his death in Hong Kong. 

You Only Live Twice had James forge a married life of chaos and finally had Blofeld front and centre as a villain. I'm also shocked this film's screenplay came from Roald Dahl to boot. Great stuff.

Rating: 7 out of 10 

My Review of Poltergeist (1982)

 

Written by Steven Spielberg And Michael Grais And Mark Victor

Directed by Tobe Hopper

Carol Anne: "They're here."

There are still classic horror series that I have yet to cover for this blog. This was a movie that yet again, I've seen several times but never got around to reviewing for here. Until now of course.

Haunting movies are no more iconic than this one with the focus being on an ordinary family terrorised by restless spirits in their home. The family being Steven (Craig T. Nelson) and Diane Freeling (JoBeth Williams) and their children, Carol Anne (Heather O'Rourke), Robbie (Oliver Robin) and Dana (Dominique Dunne).

The focus was mostly on youngest child, Carol Anne. She was communicating with a static television and both her and Diane went into denial mode when the chairs stacked themselves on the kitchen table. Then Carol Anne went missing.

In fact, it was the ghosts who had taken her into a portal inside the closet. For a good chunk of the movie, you had both Steven and Diane at their wits end trying to get Carol Anne back. This brought in a slew of experts to help out the distressed family.

The most memorable of all these experts was of course Zelda Rubenstein's Tangina Barrows. She's the most helpful of the bunch, succeeding in actually getting Carol Anne back to her family. Rubenstein's performance was also the one that stood out the most in the film.

As for the rest of the movie, it's still great but somewhat meandered a bit. There's a few moments in the film where it could've ended but it kind of went on just to further highlight how dangers the spirits of that particular house were. 

- Some of the scenes included the hurricane sequence and that face removal one.

- There's two sequels and a remake that came out in 1986, 1988 and 2013 respectively.

- Standout music: The eerie use of The Star Spangled Banner.

- Chronology: Set in the planned community of Cuesta Verde, California.

Poltergeist (1982) definitely deserves it's plaudits as a movie and it's definitely a defining piece of 1980s cinema. It does lag a bit in the third act but overall, it's a favourite.

Rating: 8 out of 10 

My Review of House Of Wax (2005)

 

Written by Chad Hayes And Carey W. Hayes

Directed by Jaume Collet-Serrra

Carly: "Please don't kill me."

This remake was released over twenty years ago and it's only in the last week that I've actually watched the bloody thing. This isn't one of those movies that I wished I had watched sooner but it's not a regret watch either.

It's also a reminder that this cast were a mixed bunch. Chad Murray Michael was on One Tree Hill while Elisha Cuthbert was largely known for 24. It would be a few months before Jared Padalecki would step into the world of Supernatural and Paris Hilton was one of the biggest reality TV stars of the 2000s.

On paper, I can see why these people were selected to make up the principle cast for this remake. Cuthbert was the heroine of the piece, Carly Jones while Murray played her feckless brother, Nick and Padalecki was her nice enough boyfriend, Wade Felton.

Hilton herself was the best friend character, Paige Edwards who ended up getting pregnant by her own boyfriend, Blake Johnson (Robert Ri'chard). Needless to say that the majority of this group don't make it out of the alive and are subjected to genuinely deaths involving wax. Wade's fate in particular was horrifying to watch.

A large portion of this movie was about Carly and Nick's relationship. They were both at odds with one another but as their friends were getting gruesomely killed off by a rather creepy family, led by Bo and Vincent Sinclair (Brian Van Holt).

Both Bo and Vincent took great delight in terrorising Carly and her friends as well as the not very helpful Dalton Chapman (Jon Abrahams). There's a rather fiery final showdown, the death of a sibling duo and an ending that confirmed a family lineage lived on. No e of which will really shock anyone.

- There was another Sinclair. Lester (Damon Herriman) made it out of the film alive. The Sinclairs had a disturbing flashback at the start of the film.

- Although it's a remake, there's no real connection to the 1953 version of the movie.

- Standout music: The Prodigy/Juliette Lewis's Spitfire and Joy Division's New Dawn Fades.

- Chronology: Set in the 2000s itself.

House Of Wax (2005) might be in the middle ground of 2000s remakes of classic horror movies. It's not a horrible remake (cast are fine, gory scenes do land and so on) but it's not a great one either. Mostly mediocre.

Rating: 6 out of 10 

My Review of Thunderball (1965)

 

Written by Richard Maibaum And John Hopkins And Kevin McClory And Jack Whittingham And Ian Fleming

Directed by Terence Young 

James Bond: "That gun, it looks more fitting for a woman."

Emilio Largo: "You know much about guns, Mr. Bond?"

James Bond: "No, but I know a little about women."

I'm definitely into my stride with Sean Connery's version of James Bond and there's a comforting familiarity with how he plays with the character.

Once again, SPECTRE are the focus of villainy. There's operative Emilio Largo (Adolfo Celi). He wanted to hold NATO to ransom with the use of atomic bombs and he's something of a petty man throughout the film.

There's also Count Lippe (Guy Doleman). He had French Air Force pilot François Derval (Paul Stassino) murdered and replaced by Angelo Palazzi. Derval also took his face, so Stassino was technically on double duty for this film.

As intriguing as Lippe was as a potential baddie, he's not a character who went the distance. He rather quickly killed off by SPECTRE agent Fiona Volpe (Luciana Paluzzi). She was Largo's right hand woman and a pretty effective one to boot.

Of course, James had his own female love interest with Largo's mistress, Domino (Claudine Auger) betraying her villainous paramour in order to help Bond. Domino had some promise but she's somewhat relegated to a damsel in distress until she got her revenge.

Villain wise, Largo's not as dynamic as some of the previous ones. He's got an okay enough rapport with Bond and his death was certainly deserved. As for Bond and Domino, not the most dynamic but decent enough.

- This was the last film that Terence Young directed for the franchise. First one where Ian Fleming had a writing credit.

- There's a lot of cool underwater sequences in this movie.

- Standout music: John Barry's Thunderball.

- Chronology: Largely set in the Bahamas for the majority of the film.

Thunderball might not be my favourite from the Sean Connery era of James Bond but it's a solid enough entry nonetheless. The opening alone was one of the most amusing moments in the film.

Rating: 7 out of 10 

My Review of To Catch A Thief (1955)

Written by John Michael Hayes

Directed by Alfred Hitchcock 

John Robie: "For what it's worth, I never stole from anybody who would go hungry."

What can I say? I was in the mood for a Cary Grant movie and went with this one he did with Alfred Hitchcock and Grace Kelly. I made a good choice here.

A romance meets crime thriller in which Cary Grant was well cast as retired cat burglar John "The Cat" Robie. Although it turned out that John didn't like that nickname or the black cat who frequently appeared in the film.

John was also less keen on the fact that he was being framed for a string of new burglaries that lacked his panache. He was eager to clear his name and avoid the police. He also happened to be paired with a beautiful blonde woman.

This would be where Grace Kelly stepped in. The daughter of a rich widow, Frances Stevens was quite the cool customer for John. They flirted like mad and maddened each other at different points. They clearly had feelings but almost their mutual pride sabotage themselves to boot.

There was also the complication of Danielle Foussard (Brigette Arbur). She had her own complex history with John and there's a display of jealousy when both Danielle and Frances share a first meeting with John caught in the middle of both women. It's a simmering but slightly underdeveloped love triangle between the three of them.

Then there's a masquerade ball that almost saw the downfall of the Cat himself. John nearly got the better made of him before the real Cat of the piece. I don't think the reveal was too shocking or even their motives but it did work well enough as a resolution to clearing John's name.

- The movie was based on a book of the same name by David Dodge.

- Jessie Royce Landis who played Frances's wealthy mother, Jessie had some genuinely brilliant lines. A delightful foil for both John and Frances.

- Cary Grant initially retired from acting before being cast in this film.

- Chronology: Set in the French Riviera. John's former gang were called the French Resistance. He was likened to Robin Hood at one point in the film.

To Catch A Thief is a playful and romantic thriller. It's sexy, flirty and funny in parts. Both Cary Grant and Grace Kelly are on such a fantastic form. I'd highly recommend this one.

Rating: 8 out of 10 

My Review of The Whisper Man (2026)

 

Written by Ben Jacoby And Chase Palmer

Directed by James Ashcroft 

Amanda: "If you're lonely, sad and blue. The Whisper Man will come for you."

My second new streaming movie release in less than a week to watch and it's another disappointment. I almost switched off halfway through but I persevered. Honestly I wouldn't recommend this one at all.

I do like a good detective thriller with a twist and this one on paper sounded good but the results were pure tedium. Adam Scott took centre stage as a grieving novelist Tom Kennedy with his young son, Jake (Acston Luca Porto) as they moved to the hometown of Tom's deceased wife.

They also moved into a rather creepy house where both Jake and Tom talked of imaginary friends. There was also a serial killer back in the 1990s called The Whisper Man, aka Frank Carter (Michael Keaton). Frank of course did get caught by Detective Peter Willis (Robert DeNiro).

Anyways, to get to the point of this episode - Jake went missing and it was revealed that both Peter and Tom were father and son and had an estranged relationship. Peter was working with fellow detective Amanda Beck (Michelle Monaghan) in order to find Jake.

There's some time spent on a serial killer fanatic named Norman Collins (Hamish Linklater). He's creepy enough but not the killer/kidnapper. Nope that's Francis Jr (Owen Carter) and he ended up having the worst kind of family reunion with his infamous father.

Speaking of fathers and sons, everything about Jake, Tom and Peter felt predictable throughout. Peter was absent father because he was a good detective and his only way to make things up for Tom involved getting Jake back. I guess it's up to Tom not to make the same mistakes his father did.

- It was based on Alex North's book of the same name. The Russo brothers are producers on this film.

- The Whisper Man had a creepy rhyme and left messages for his victims families.

- Standout music: R.E.M's Shiny Happy People.

- Chronology: 2026 in Garretton.

The Whisper Man made for a dull and lifeless crime thriller. Even Adam Scott and Robert DeNiro felt like they were bored for the most part. I'd avoid this one to be honest.

Rating: 4 out of 10 

My Review of Lanterns: "The Weenie"

 

Written by Breannah Gibson

Directed by Geeta Vasant Patel

John (re Hal): "The ring's always been mine. That asshole's been keeping it warm."

Lianna: "Then go get it, John Stewart."

Oh boy. This episode really did seem determined to have a wedge between John and Hal and I think it might have succeeded. It's like everyone around them who isn't Kerry seems determined to get the pair of them at odds with one another.

Let's start with Sinestro, huh? He's only given one scene but when he wasn't being cryptic about the Manhunters, he was dripping paranoia into Hal's earlier about John being his replacement. It also worked rather well.

Then there's both Lianna and the Stewarts. If John demonstrated any sympathy or pity for Hal, they were determined to stamp it out. Bernadette, John Sr and Lianna went the extra mile to make John turn on Hal. The quote I selected for this review also came back to bite John.

Hal wasn't best pleased when an encounter with Not Hector Hammond (Jason Manuel Olazabal) had that particular exchange between John and Lianna played back to Hal. On the plus side, this episode almost went out of its way to tell us how wrong everyone else was for wanting Hal to retire. Hal was figuring things out that everyone else wasn't.

For example, he clocked that Hector wasn't Hammond but Gutierrez and he clocked John's lack of emotion when Zoe was blown up. Yeah, Zoe turned out to be a Manhunter and she's definitely not dead. Hal also then left John to crash into a pole. 

Hal might not hate John but he was definitely angered by the latter keeping too many secrets from him. Did Hal maybe overreact in that last scene? Of course he did but it made for a great end to this particular episode.

- John ended up having to draw William naked before he slept with Zoe again. Does William know he failed to kill Zoe?

- I'm hoping the name drop for Hector Hammond means that we'll be seeing him in the finale, if not earlier.

- Kerry really was from Gotham. Hal double checked. Billy also owned the local bar as well as being a lawyer.

- There's a genuinely funny moment in this episode with John telling Hal his Disneyland story. Less funny was what happened to that poor cow.

- Standout music: Wunderhorse's Midas during the closing credits.

- Chronology: 2016 for the whole episode and we're still in Nebraska.

The Weenie provided some answers and raised a lot more questions as it went along. It was also a true test with Hal and John as a team and right now, things are far more tense between the pair. Great ending though and next week's episode looks chaotic.

Rating: 8 out of 10