Sunday, January 17, 2010

My Top 50 Buffy Episodes Part 2

Okay Part 2 of the list is up now.

41: Intervention (Season 5, Episode 18)

Not really an episode that I see bashed a lot or at all. Most people seem to like it and so do I. I guess parts of it are down to the duel roles Sarah Michelle Gellar got with a still grieving Buffy and the more joyful, bouncy Buffybot. There's also the portent warning of death being Buffy's gift and Spike had a surprisingly decent turn when he refused to name Dawn as the key, even when Glory was torturing him a lot.

42: Prophecy Girl (Season 1, Episode 12)

I won't lie, it's not one of my favourite finales and the first season is my least favourite anyways but it's still enjoyable. It's the first episode where Buffy actually died because she fell into the Master's trap and it certainly portrayed a realist response from her when she said she didn't want to die. And the constant admiration about her dress was amusing.

43: Two To Go (Season 6, Episode 21)

Penultimate episodes to seasons have to deliver so much and while there have been better ones, this was another wonderful episode. Excluding the Spike stuff, which I felt dragged proceedings, I did enjoy Willow and Buffy's supernatural smackdown more than I probably should. I think I would've let her kill Andrew and maybe spared Jonathan but that's me.

44: Touched (Season 7, Episode 20)

We had that episode in Season 4 where Buffy and Riley spent most of the time doing it and it turned out to be one of the dullest episodes from the show. So, an episode that heavily focused on rendevous with Willow/Kennedy, Xander/Anya and Faith/Robin shouldn't be that interesting but I think we needed one 'quiet' episode before the action laced final two.

45: Lies My Parents Told Me (Season 7, Episode 17)

One of the biggest problems with the later seasons of the show was the over glorification of Spike. I get that the writers loved James Marstars but I think there was times when it clouded their judgement. Why else would Buffy side with Spike over a justifiably vengeance fuelled Robin and turn her back on Giles? Still, as character episodes go, it was one of the series strongest.

Thursday, January 14, 2010

My Review of True Blood's 2x07: "Release Me"

Written by Raelle Tucker
Directed by Michael Ruscio

Eric: “Tell me, what is it you find so fulfilling about human companionship?”
Isobel: “They feel much more strongly than we do. Everything is urgent, exciting, maybe because their lives are so temporary.”

There’s certainly a stirring of excitement in this episode. Isobel gave some very interesting reasons behind her relationship with Hugo, reasons that seemed to confirm that most vampires do not consider humans equal.

Then again perhaps underneath Isobel’s facade she might harbour real feelings for Hugo but obviously not enough that would ever see her turn him into a vampire. It’s also part of the reason why Hugo is unsurprisingly the traitor in their midst. He didn’t wait too long to turn on the vampire he loved, did he?

I can understand his frustration and if he felt his relationship with Isobel was that unequal, why not just do the traditional thing and dump her? Going to the Fellowship and feeding them information about Sookie certainly wasn’t going to overly endear him to them. They locked him up along with Sookie and Gabe beat the living daylights out of him as well.

Hugo didn’t seem like a straight up baddie, so it’s hard to be too angry with him. Especially given the amount of people who genuinely deserve an ass kicking of epic proportions. Like Gabe for instance. That guy was creepy in his previous appearances and attempting to rape Sookie at the end really freaked me out.

It’s a good job that Godric actually came to her rescue on that one. I thought for sure it would be Eric but I’m glad they didn’t go there. The timing was perfect as well for Godric’s appearance, so please let Gabe be dead by the start of the next episode? That’s certainly one human life worth snuffing out.

Sookie’s undercover work and hopes for Bill to come for her certainly went down like a lead balloon in this episode. She had the misfortune of Hugo’s treachery and Steve Newlin lording it over her. But even he was surprised when he made the connection to her and Jason and it also led to an interesting turn of events.

Jason feared that Steve was going to kill him because he slept with Sarah but didn’t bank of Steve thinking he was working with vampires all along. I loved the surprised look on Jason’s face when he realised why Steve was so furious with him. More importantly, I loved him defending Sookie’s honour and beating the crap out of Gabe. Fun times.

As for Sarah, no way is that woman remotely girlfriend material. Her nutty ramblings about being honest with Steve were one thing but then it looked like she was about to get all trigger happy on Jason herself. It shows how far Jason has sort of come in this series because if all this was happening to him in the first season, I don’t think I would be as sympathetic towards his plight. I’m going to assume that he somehow still lives.

As for Sookie, it’s got to be terrible not having Bill come to her aid but we can thank Lorena for that one. Bill pretty much spent all of this episode in her captivity because she can’t quite let go of him. Again, it’s like watching Angel/Angelus and Darla all over again with this pair and there were more flashbacks.

In the previous ones, Bill embraced being a vampire and wanted to satisfy Lorena. Here he managed to stop her from chomping on Frances and threatened to stake himself if Lorena didn’t let him go. It was the only plausible way from what we’ve seen as to why Lorena did let him go. She loves him too much.

It also makes her a hypocrite. She castigated Bill because he’s fallen for Sookie and yet she’s so clingy towards him that she blocked him in every way to rescue the barmaid. Lorena certainly does take the bunny boiler act a bit further than before. Even Barry the bellboy couldn’t get near to Bill, which gave Eric a good opportunity.

Eric and Sookie – you’d have to blind not to spot that he’s got a mad one for her. The fact that he drafted in Lorena, has constantly undermined both Bill and Sookie are one thing. Then there’s also both Isobel and Lorena drilling in the fact that Eric has feelings for Sookie as well. You know, subtlety does go a long way.

Just look at Jessica and Hoyt. They’re not even half a season old and already their relationship is far better than the whole Lorena/Bill/Sookie/Eric quadrangle. No wonder so many people keep gushing about it online. Their scenes in this episode were the best freaking thing out of the entire hour.

Both of them admitted that they were virgins in a sweet manner and decided to wait for the right moment. Hoyt then played the perfect boyfriend and decorated the room for Jessica and perhaps they did become each others first. Even if they didn’t, their relationship is still the healthiest one on this show for the time being.

In terms of health, it’s nice to see that Tara’s noticing how off-kilter Maryann is but it would be nicer if she’d just dig a little deeper as well. Every time Tara seems to confront Maryann on her lack of boundaries, Maryann seems to stonewall her. It’s going to take a lot more than Sookie to get rid of Maryann.

Also the Sam situation is brilliant. I love that Maryann’s after him specifically and not Sookie, so big points there but why Sam though? I doubt it has anything to do with his little thieving and the way Daphne was talking, it did seem that Sam was specifically needed for something in particular. Maryann thrives on chaos and clearly has zero desire to leave Bon Temps any time soon.

Her latest little orgy certainly seemed to have consequences. Andy’s aware of something not being right but because everyone is clueless to Maryann’s influence, he’s left looking like an idiot. That must have been how Daphne felt as well when Maryann instructed Eggs to kill her. I know Daphne deserved some kind of fallout after nearly getting Sam killed but did it have to be death?

As for Lafayette, he’s certainly gotten his groove back and I did enjoy some of his scenes with Tara and Eggs in particular but I’m also not seeing how he’s going to benefit all that much from selling V once again. Tara was right to address the fact that he was getting himself into trouble.

Also in “Release Me”

Terry actually broke Andy’s arm while under Maryann’s influence. Arlene also worried that she date raped him.

Lorena (to Bill, re Sookie): “You smell like her. Sweet and cheap.”

Bill and Lorena’s flashback was in 1935 Los Angeles. Frances even looked similar to the wife we saw in the previous episode.

Lorena: “You are such a wet blanket, I don’t know why I keep bothering with you.”
Bill: “Why do you? I can’t stand the sight of you.”

Hoyt: “I ain’t never done it. With a girl I mean.”
Jessica: “What have you done it with?”
Hoyt: “Just myself.”

Lafayette seemed to paraphrase Lettie Mae’s saying about Satan in a Sunday hat when he was talking to Tara and Eggs at Merlotte’s.

Tara: “You’re right. Sometimes you’re Sookie, like you could read my mind or something.”
Eggs: “I just get you, that’s all.”

Sookie: “You’re gonna get yourself killed. That’s not a threat, that’s a fact.”
Steve: “They’ve got you all twisted up, haven’t they with their glamouring and their empty promises and their evil blood?”

Who grabbed Barry the bellboy at the end of the episode? Was it Eric?

Bill (re Sookie): “I may love her but I am not suicidal.”
Lorena: “I know better than anyone what you are capable of.”

Maryann: “I am fantastic. I slept outside last night and communed with my animal nature.”
Eggs: “No shit.”

Maryann with a rabbit in her hand, that was gross but seriously, when will Tara actually do something about her?

Steve (to Jason): “Say a prayer. You’re going to hell and you’re going there today.”

Sam: “If I’m so fucking insignificant, then why is she going through this trouble to try and get me?”
Daphne: “Because you got away from her once. She can’t control you.”

Sam turned into a bird in this episode, Daphne specified that Maryann was a maenad, mentioned Dionysus and the fact that Maryann can’t control supernatural creatures, even if she can wreck havoc with their shifting.

Arlene: “Excuse me, it says ladies on that door.”
Lafayette: “So what you skank ho’s doing in here?”

Lorena: “Without me you would be alone forever.”
Bill: “You are the one who’s afraid of that. You are the saddest, loneliest creature I have ever known.”

Standout music: Leona Lewis’s “Bleeding Love” (interesting choice) and Sia’s “Day Too Soon”.

Barry: “I have a message for Bill Compton. Is he there?”
Lorena: “I’m sorry, he’s tied up right now. I’ll be happy to pass it along.”

Chronology: Straight from where “Hard-Hearted Hannah” left off.

“Release Me” is another in a line of strong episodes, not the show’s best but this season’s been so wonderful that’s hard not to enjoy any of the episodes. It also helps that thing are also moving along nicely as well.

Rating: 8 out of 10.

Wednesday, January 13, 2010

My Review of Dollhouse's 2x05: "The Public Eye"

Written by Andrew Chambliss
Directed by David Solomon

Echo (to Cindy): “You just woke up a lot of people and they all think you’re a bitch.”

During the Christmas period I had considered momentarily dropping this series, despite the fact that this season has risen in quality. A part of me wishes that I never took it on to review because the cancellation failed to remotely shock me. Was there anyone who was shocked by it?

Fortunately while this show may be on its last legs, at least it’s going out fighting. For starters, Daniel Perrin’s little one man campaign to expose a Dollhouse takes some interesting twists and turns. The first one being to draft in Madeline to go on record to testify against the LA branch.

As soon as I saw that, dread hit me. I like Madeline/Mellie/November and while she should help in ridding the world of the Dollhouse, it doesn’t mean that I want to see her bumped off as a result of doing so. Even Paul was worried about her well being, despite Adelle not looking as concerned as he did.

Mellie’s public appearance gave the media a face for the Dollhouse as opposed to all the hearsay that has gone before. But it also put Daniel in the firing line too. If Rossum couldn’t kill actually kill him, there would be other ways of trying to keep his silence, yeah? Such as Echo going undercover as a call girl.

It’s a good job I don’t partake in drinking games when watching this show; otherwise my bladder would be beyond repair every time Echo wore something skimpy. I’m beginning to wonder if Joss Whedon wishes he had just done his own version of Secret Diary Of A Call Girl at this point.

Dushku’s on fine enough form though and it’s nice to see her and Alexis Denisof actually interact with one another too, though surprisingly I had to remind myself that I was watching Echo and Daniel and not Faith and Wesley. Daniel’s reaction to being blackmailed by a sex tape came as no surprise though.

He figured it was Rossum’s piss poor attempt to get him to back off and quickly deduced that Echo was an Active. As soon as he realised that, he wanted to save her. Quizzing her about her family was one way of proving his little but the best part was the realisation that Daniel was also a Doll.

This was one of those excellent turns of the episode. From the way Daniel had talked about Cindy, it was easy to assume that she was a sleeper Doll who would probably kill her husband or Madeline when programmed. Paul even attempted to get Madeline away from Cindy’s clutches by using Topher’s little disrupter. All it did was reveal that Cindy wasn’t a Doll but Daniel’s handler.

Okay, Daniel being a Doll shouldn’t be that exciting either but what it was the fact that he really is Daniel Perrin, only with an upgrade and a sneaky game plan by Rossum. Daniel was programmed to believe that he was going against Rossum, when in actual fact he was aiding them. Now that I didn’t see coming.

But the problem is, how can this not backfire on Rossum? I know the LA Dollhouse has seemingly caused them more problems than usual but it seems like it’s a loose cannon that could easily turn. Ugh, I almost sound like I feel for Rossum and I really don’t. Especially Matthew, who’s still a vile prick from the last time we saw him.

Another interesting edition in this episode was both Daniel and Echo’s flashing moments. Daniel had to come to the crushing truth that his marriage was a lie and that he was being used and Echo just continued to remember many of her past engagements. The fight scene she had with Cindy though was a lot of fun.

Then there’s also Bennett. I’m not the bigger fan of Summer Glau and she does seem to only play two types of roles – bad ass and/or crazed but she was fun enough in this episode. I’m wondering exactly what Echo/Caroline has done to piss Bennett that she opted for some torture fun at the end of the episode? I don’t think we’ll have to wait too long for the reveal though.

Speaking of reveals, how interesting was Paul’s last scene with Madeline? She talked about having the freedom to make her own mistakes but at the same time, she was unaware that she still had some architecture inside. It’s not that much of a shock that no-one technically escapes the Dollhouse.

Also in “The Public Eye”

Sci-Fi UK have moved the episodes back into their 9pm timeslot, thankfully without the editing that we had to endure for the first season.

Madeline: “My name is Madeline Costly. Three years of my life are gone, stolen by the Dollhouse.”

The actress who played Kilo (the Doll Topher tested his disrupter on) is Maurissa Tanchereon, who writes for the series.

Adelle: “Any sympathy for Mr Hearn would be seriously misplaced. He was a serial rapist.”
Paul: “I wasn’t thinking about him.”

Daniel: “You’re a Doll.”
Echo: “Thanks. You’re cute too.”

Echo went under the guise of Bree for this episode.

Topher: “Uh, guys. Echo’s just kidnapped a conspiracy.”

Paul: “But you’re not a Doll.”
Cindy: “Because this thing doesn’t work on me? What the hell is this?”

The Dollhouse in DC seems to name their Actives after Greek gods. There was a mention of both Aphrodite and Hades.

Daniel (to Adelle): “Yay, you don’t want me dead. I feel like we’re bonding.”

Madeline: “Who was I that made you so obsessed with me?”
Paul: “Now’s not the time.”
Madeline: “It’s all you get.”

With all this furore from Rossum, I’m surprised that Claire hasn’t factored into things yet. Maybe she’s Plan B if Madeline backs out.

Madeline (to Paul): “You said you freed me. When someone’s free, they get to make mistakes. Am I free?”

Bennett: “The Senator doesn’t beat his wife. The Senator loves his wife.”
Cindy: “Lucky wife.”

No Victor and Sierra in this episode.

This is a very good episode. “The Public Eye” certainly keeps things on a rather even keel for the show and the shocks are good but it’s really the second that notches the tension up a bit. In eight weeks time for UK viewers, this will be all over.

Rating: 8 out of 10.

Tuesday, January 12, 2010

The Man Behind The Mask - Twilight Is Revealed


This is another one of those times where even if you were living under a rock, it would be hard not to have escaped the reveal of Season Eight baddie, Twilight. And I can reveal it's not a good one.

The covers for Issues 34 and 35 have been leaked.

Issue 34: http://s157.photobucket.com/albums/t46/drakestboy/Buffy%20The%20Vampire%20Slayer/?action=view&current=8-34.jpg&newest=1
Issue 35: http://s157.photobucket.com/albums/t46/drakestboy/Buffy%20The%20Vampire%20Slayer/?action=view&current=8-35.jpg

I'm hoping this is bullshit and that the leak from Dark Horses/Scott Allie/Joss Whedon was deliberate to throw people off the scent but if not, here's a few reasons why this reveal sucks.

- It's going to wreck with certain comic continuity. Nothing worse than someone deliberately pooping over their own canon.
- Dramatically it makes zero sense. Why would this guy resort to the measures Twilight has to cause trouble? It's not their usual MO.
- This guy has already been a season Big Bad and so far, we've had no new Big Bad. Government are as boring and ineffectual as they were in the fourth season, Warren's resurrection has proved utterly pointless and Amy's been savagely underused and wasted as Twilight's minion. Wouldn't she have been a better choice as a main villain instead of Twilight? I'm beginning to think so.

Also here's Joss Whedon's response to the reveal. Make of it what you will .... http://splashpage.mtv.com/2010/01/11/exclusive-joss-whedon-on-buffy-season-eight-twilight-reveal-first-look-at-issue-35/
.

Monday, January 11, 2010

My Review of Being Human's 2x01: "Cure And Contagion"

Written by Toby Whithouse
Directed by Colin Teague

Nina (to George): “You forget what it’s like to discover this world. It’s not exciting, it’s frightening.”

And to continue on the hope that this show wasn’t a one season wonder is a premiere episode that beautifully set up a lot of crucial plots would be this. It’s no wonder that we’re gonna soon have a US version of this show to compete with during the summer.

From last season, George killed Herrick and this opening episode presented a few consequences for such an action. The first big one would be Nina. Hands up who thought she wouldn’t become a werewolf? I take it that would be no-one then.

The reveal of Nina being an actual werewolf could’ve been tackled in a lot of ways but having her confiding in Annie when they were alone worked just as good as anything else would’ve done. Nina was until the first season finale the only human character that audiences could identity with. Now she’s become the fourth regular supernatural character.

There are times in TV world when differences between US and UK writing and culture can be so apparent. If this was an American show (it will be soon enough), Nina’s ordeal would’ve been overwrought in some places. Here there’s a lot of fact and the fact is simple – the supernatural world frightens her.

It might not be the thing that George was particularly keen on hearing but it’s believable and it’s down to wonderful writing and Sinead Keenan that you never feel frustrated with Nina throughout the episode. Even her reasons for not wanting to tell George rang completely true, given how much she knows about him.

She knew that he wouldn’t be able to handle the fact that he turned her into a werewolf and tried her damndest not to tell him, even to the point of withholding sex from him. Unfortunately this brought out something of a jerk in George as well. He was pretty cold to Nina in some scenes, even if once again it was easy to understand from where he was coming from.

When she finally did tell George that she was a werewolf, there a part where I did think that maybe they would’ve split up. While they got past some of the initial tension with each other, there’s still plenty of stuff that’s going to come back to cause the pair of them a lot of trouble. The obvious one being Daisy for a start.

In interviews, writer and creator Toby Whithouse has stated that the main villains for the second season were going to be human but fortunately, it also didn’t mean that supernatural ones wouldn’t occur either. George has already stirred enough trouble in the supernatural with being Herrick’s murderer and vampire husband and wife team Ivan and Daisy didn’t waste time in making a first impression.

Some viewers who could the preview of this episode found it a little strange that Daisy didn’t seem to share the same anti-werewolf stance that other vampires did but I didn’t. Her fixation on George though seems to be obvious. She’s either trying to bring out his dark side for her own purposes or deep down there is actually an underlying attraction for George.

Either way, George did himself no favours by having sex with her in the woods and the way Ivan was watching them, there’s a lot more to this whacked out vampire couple than meets the idea. We even saw Daisy attempt to murder her own daughter before George managed to stop her.

But Ivan and Daisy weren’t the only ones who were clear trouble for the gang. Who the hell is Professor Jaggart? I was hoping that we’d see him in this episode but instead we got Kemp and an assistant using a machine to stop a werewolf from changing, except it killed the wolf in question.

Kemp himself seems to have an avowed hatred for the supernatural world. When Galvin begged him to let him change into his world guise, Kemp ensured that he died instead. And he tricked the gang out of their house long enough to get his men snooping around the place for paranormal residue and the like. Needless to say, if Kemp is dangerous, I dread to think what Jaggart will be like when we eventually see him.

Outside of new villains and George and Nina’s relationship, there were also some lighter aspects to the opening episode. I have to admit to laughing at Annie’s techniques at being interviewed. Sure she managed to get herself a job at a local pub but attracting Saul’s attention could be more trouble that it’s actually worth.

Then there was also the introduction of Lucy as well. To me, she had a similar snarky factor that Nina had when we first met her and it didn’t take too long for Mitchell to get into her good graces as well with the goldfish. In terms of love interests, I think that’s everyone covered this season – George/Nina, Annie/Saul and Mitchell/Lucy. The dynamic will definitely a lot more interesting with multiple viewpoints in that house this year.

Also in “Cure And Contagion”

The episode opened up with a simple reprise of the key events from the first season, without dragging anything out.

Daisy (to George): “Can I just state for the record, huge fan?”

It’s nice to see this episode kick start a friendship between Annie and Nina. Annie was great in staying with Nina during her first transformation.

Ivan: “Oh mate, you look awful.”
Mitchell: “You just smacked me in the face.”

Daisy: “I couldn’t wait to meet you, killer of Kings. I want you for my scrapbook. What was it like?”
George (re Herrick): “I can’t remember.”

Coincidently enough, series creator Toby Whithouse is writing a vampire themed episode for the new series of Doctor Who this year.

Ivan (to Mitchell): “Taking out Herrick, it’s never clean, it’s never clinical. It leaves a wound and wounds get infected.”

Annie (to Hugh): “There’s another option here. We could just ignore all that and you could give me the job.”

Annie’s still making cups of tea that she can’t drink and now she’s dunking biscuits in them to George’s irritation.

Kemp: “Do you hear that, Mr Galvin? In two minutes, nothing will change and everything will change.”

Annie: “There’s a werewolf called Nina in Buffy.”
Nina: “I never watched it.”

Err, Annie, Nina the werewolf is from Angel but points for making me smile with that little reference no less.

Annie (re George): “Then I’ll tell him.”
Nina: “If you do, I’ll give you fucking rabies.”

Nina (to Mitchell): “You loaded a gun and fired it into a crowd.”

According to Lucy, some of the doctors have rated a female patient as someone that wouldn’t even jizz in the face. Too much information there.”

George (to Nina): “You’re doing it again. This is not about you.”

Lucy (re Trevor the goldfish): “And do we have joint custody?”
Mitchell: “No, he’s all yours but I’d like to visit him from time to time.”

There was a trailer that aired at the end of the episode revealing some future spoilers. It looks like we’re in for some interesting times.

Daisy (to George): “I’ll do it, I’m not like you. I can’t be you.”

Standout music: “Mushaboom” by Feist stood out for me.

As openers went, this hit all the right spots. Following on consequences from last season – check, introducing new and promising characters – check, wonderfully pithy humour and great camaderie amongst the cast – check.

Rating: 9 out of 10.

Sunday, January 10, 2010

My Top 50 Buffy Episodes Part 1

I done this about two years ago on my TV Tome blog but if you didn't catch it, it's here and I'll do one a week for ten weeks until we get to number one.

46: Something Blue (Season 4, Episode 9)

I'm not always a big fan of comedic episodes on this show. It's not that I lack a sense of humour, it's just darker ones tend to stick with me more. This one wins out because it's just a wonderful use of having everything you say literally come true. Because Willow can't get over Oz, she's reckless with her magic and everyone pays for it. Amy's briefly human, Xander attracts more demons, Giles goes blind and Buffy and Spike nearly get married. Bet that pleased certain shipppers everywhere.

47: When She Was Bad (Season 2, Episode 1)

When a prophecy of your impending death is nearly fulfilled and you still survive it, it's obvious that it's going to take a toll on you emotionally, yes? Buffy's way of dealing with nearly being killed by the Master was to act like a total bitch to all of her friends, until most of them were kidnapped as part of a resurrection ritual and Cordelia gave her a much needed dressing down.

48: The Freshmen (Season 4, Episode 1)


One of a few 'underrated' episodes that will surface on my list. I like all the season premieres of the series and I do like this one. Buffy feeling out of her depth in college while Willow and Oz were taking to it brilliantly worked well, Sunday made for a fun vampire nemesis and while I've never been a fan of the Initiative, it was an intriguing way to introduce them.

49: Anne (Season 3, Episode 1)

Interesting opening episode. Buffy spent her summer in LA, trying to keep her head down and then she winded up getting back into the slayer game when the right reasons came along. It was good to see the gang attempt to keep the monsters at bay in her absence and I certainly enjoyed some of Giles and Joyce's scenes in this one as well.

50: Bring On The Night (Season 7, Episode 10)

I like this episode, I'm not always sure why because it's one of those that doesn't seem to like it. It was the one that unfourtunately hinted at Andrew being a regular and also the one that introduced Kennedy but there's also Buffy's first altercation with the uber-vamps and Spike being tormented by the First donning Drusilla that worked a lot for me.

Saturday, January 09, 2010

Being Human - Season 2 Preview

One of the best things to ever come from BBC3 is back for it's second season.

George Sands (Russell Tovey), John Mitchell (Aidan Turner) and Annie Sawyer (Lenora Crichlow) are back and this time around, it's just Herrick they have to worry about. Expect consequences for wiping out the nefarious vampire at the end of the first season.

Nina (Sinead Keenan) - is she a werewolf? Hopefully this will be something that'll be revealed within the first episode and not teased out. It's gonna have a major impact on her relationship with George either way.
Mitchell squares up to vampire Ivan (Paul Rhys) judging by this picture. Ivan and his wife Daisy pop up to cause trouble but they're not the villains of the piece this time round. Nope, human villains for Season 2 and they're none other than Professor Jaggart and Kemp.

Trailer 1: http://www.youtube.com/watch?v=9zV3AZbeE5k
Trailer 2: http://www.youtube.com/watch?v=1fgoD8UpfnI&feature=related

Season 2 airs Sundays at 9.30pm on BBC3.

Wednesday, January 06, 2010

The New Guy (Doctor Who Season 5 Spoilers)


Cover from DWM 417 with Matt Smith as the Doctor. New times, people.

Transition time: The Doctor goes from David Tennant to Matt Smith and while it's taking me a while to recover from The End Of Time, I'm still looking forward to Season 5.

The Doctor (Matt Smith), Amy Pond (Karen Gillan) and Vincent Van Gogh (Tony Curran). Looks like episode 10 is being filmed now and then there's five more to do before Season 5 is a wrap, filming wise.
I've heard that Van Gogh might be getting a trip into the year 2010 on GallifreyBase. It loks to be true given the modern surroundings here.

Hopefully some more photos surface but in the meantime, enjoy these ones.

Edited to include this ... (extracted from DWM 417)

Writers

Steven Moffat (episodes 1,2,4,5,12 and 13)
Mark Gatiss (episode 3)
Toby Whithouse (episode 6)
Chris Chibnall (episodes 8/9)
Gareth Robers (episode 7 or 11)
Simon Nye (episode 7 or 11).

Episode 10 is currently being filmed. So 7,11,12 and 13 are due to be filmed pretty soon.

Directors are Adam Smith (episodes 1, 4 and 5), Andrew Gunn (episodes 2 and 3), Johnny Campbell (episodes 6 and 10) and Ashley Way (episodes 8 and 9).

Moffat's still calling his series Series 1 but he's mentioned that the Weeping Angels we see in the new season are ones that are at the heigth of their power and even if you don't blink, you're not neccessarily safe.Matt Smith has described Eleven as less tolerant compared to past incarnation and apparently Karen Gillan is responsible for Amy's penchant for miniskirts. Also Amy's sassy and she's got a fire in her soul/belly.Plus they were recording a scene with a Face Tendril.

Monday, January 04, 2010

My Review of Buffy The Vampire Slayer's: "Willow: Goddesses And Monsters"

Written by Joss Whedon
Artwork by Karl Moline

Sagi Vasuki: “You’re putting yourself in my hands?”
Willow: “I expect it will come to that. I’ll know if you lie.”
Sagi Vasuki: “I always lie.”
Willow: “That’s how I’ll know. So how do we start?”

Well, this was one of the weirdest issues I’ve read and I apologise for the delay but Christmas does have a tendency of catching up on you. More importantly, was this worth it? I’m not sure actually. It was better than “The Thrill” but that’s hardly an achievement. Maybe I should look hard into its merits.

First of all, the issue finally gave some much needed focus on Willow’s association with snake lady Sagi Vasuki. The woman’s been slithering around in a couple of issues and she hasn’t exactly seemed to be the most trustworthy of creatures that Willow could’ve gotten herself involved with.

The issue started off on a mad note with Willow looking like she had just appeared in a bad Harry Potter parody. You’ve even got the first member of Sagi’s team, a wheelchair bound young girl moaning on about wizard schools being all the rage nowadays. Willow’s feeling of derivativeness are all too apt in that moment.

Then comes the analysis of Willow’s psyche. The wheelchair girl wasted no time in noting that Willow’s sort of square for a girl who tried to incinerate the world back in 2002 but then we’re looking at fields with some weird allusions to Willow’s sexuality. Did we really need a part of this issue that blathered on about fields being a certain way, regardless of orientation? Joss, you’re better than this.

It’s not that I find it offensive, it’s more than it comes across as rather naff in a way and there’s just some scenes in this issue that are whacky for the sake of it. We’ve had a few issues in Season Eight that have delved into Buffy’s dream space in a far more interesting light than this one is attempting to.

Of course with Muffitt thankfully taking a hike, Sagi Vasuki makes the effort to give Willow a real guide as opposed to the smoke and mirrors that she’s been seeing. Only thing is that Sagi Vasuki really does live up to her untrustworthy reputation in this comic.

Setting Willow with obstacles was one thing but there’s the moment where Willow realised that she was being strung along and still ended up selecting Sagi Vasuki as her guide by the end of the issue. Oh, Willow.

The real creatures out to help were those powerful women we met back in “The Long Way Home” and thanks to them, we got a brief appearance of Tara. I love seeing Tara in any capacity but I’ve longed resigned myself to the fact that Joss Whedon has no desire to resurrect the character. At this point in the series history, it’s both wise and too late to do anyways.

Besides Willow’s moment of growth in this issue was when she elected not to choose Tara as her guide because she realised it wasn’t right for Tara. It’s a deliberate reversal of the same Willow who flouted magical law into raising Buffy but it also meant that by rejecting Tara, Willow might have put herself in harm’s way with Sagi Vasuki as her guide.

Sagi’s made no bones about being trusted and judging by the way she scolded her team, there’s definitely a motivation behind her attempts to corrupt Willow. The more and more we’ve delved into this season, the more we’ve seen that Willow’s powers aren’t helping her anymore, which makes me miss the times when Willow using magic had good connotations behind it.

Then there’s Kennedy. Willow was told to forget about her on her vision and Kennedy herself wasn’t best pleased with Willow taking off either. That’s another thorny issue for me as well. I didn’t actually mind Willow and Kennedy all that much as a couple in Season Seven but in the comics, I’ve found them less endearing. I just don’t think it’s a two-sided thing.

Plus, it’s also rather hilarious that as Kennedy has seemingly come to grips with monogamy, Willow herself has been seen to have had sex with Sagi Vasuki on a few occasions. In reality, I’m wondering if by the end of the eighth season if both Willow and Kennedy will actually still be together. I’m not banking on it.

Also in “Willow: Goddesses And Monsters”

The cover is pretty femslash worthy with both a naked Willow and Sagi Vasuki close together.

Muffitt: “Wow, are you ever a dyke.”
Willow: “That term is offensive. Or maybe it’s empowering – I can’t always keep up. How’d you know?”

According to Muffitt, gay wiccans get a field with the opening petals and straight wiccans; they get a forest with tall, thrusting trees.

Kennedy: “No pet names while I’m pouting.”
Willow: “I have crazy power.”
Kennedy: “See above, re: goddess.”
Willow: “Power is not knowledge. In a way, it’s almost the opposite.”

Kennedy (to Willow): “Man, I just mastered monogamy, now I have to practice not-getting-any-at-allagamy. You’re a harsh mistress. Just don’t forget about me.”

One of the letters in this issue praised the comics for having Buffy sleep with Satsu and another wanted Andrew to get a boyfriend or to introduce a non stereotypical gay male to the comics.

Sagi Vasuki (re wound): “You have a part of it.”
Willow: “So clarity not the catch of the day, huh?”
Sagi Vasuki: “Relax.”

Sagi Vasuki: “Your panic has passed and you met your first challenge. I didn’t put a spell on him, by the way. He just had trouble with his feelings.”
Willow: “Yeah, well ... love is a battlefield.”

Willow does a fair share of reference some popular songs in this issue. It’s one of the funniest exchanges in the issue as well.

Willow (to Sagi Vasuki): “That’s not my journey. You all keep telling me to get beyond the surface. Then you toss clichés at me. The black knight, the sea voyage ... this isn’t my path and you’re not my guide.”

Willow (re Tara): “I said I wanted to understand my power and I do. But under that, I wanted to know my fate. Darkness? Enlightenment? Was I a good witch? I feel on the pull of each. That was my secret motive ... but it’s not. Under the under, I just wanted her. She was my light. She was my order. She was my journey.”

Tara had no dialogue at all and was wearing the same outfit from “Once More With Feeling”. Sagi Vasuki’s real name was also revealed as Aluwyn.

Willow (to Sagi Vasuki): “They say you’re no good. That you run in circles, the snake that eats its tail. I’ve got a bit of a rep myself.”

The next issue, “Turbulence” is released on January 6th 2010.

While it’s better than the last standalone issue that didn’t go under a production number, “Willow: Goddesses And Monsters” is also not one of those issues that I can see myself re-reading in a major hurry either. Disappointing.

Rating: 6 out of 10.

Saturday, January 02, 2010

Lost - Season 5 Review


US Airdate: February 10th – May 13th 2009

The Ultimate Do-Over: At this point in Lost’s run, you are at a point of thinking that the writers cannot pull any more surprises on you. We’ve had enough stations, back and forth alliances, moments of mysticism, flashbacks and flash forwards, so what else can they possibly pull off in the fifth season?

How about time travel? Lost is science-fiction and we’ve had enough craziness in the previous four years, so it’s not like it would be the most bizarre thing to ever do. Plus it would go on to create new problems and offer some explanations on certain characters as well as meeting younger versions of established character.

The two-part opener, “Because You Left” and “The Lie” introduce the concept well enough as Sawyer, Juliet and others fending for their lives back on the erratic island. In the present you’ve got Ben kick starting his campaign to get the Oceanic 6 back on the island because it’s destiny. Translation: Ben is an idiot, with Locke quickly gathering apace.

“Jughead” is the episode that introduced a vital part of the mystery leading to the finale but it’s also a rather nice for Daniel and Charlotte as well. Neither of whom get out of this season alive with Charlotte becoming affected by the time jumps in “This Place Is Death” and Daniel getting shot by a younger version of his mother in the 100th episode, “The Variable”. At least one of them went out on a big one.

In between those episodes, we’ve got a lot of interesting stuff bubbling under. The Oceanic 6 are definitely different people. Sayid went from being an assassin for Ben to doing good in his own way after Nadia’s death, while Kate attempted to keep Aaron’s parentage a secret and Sun went to her own lengths to try and kill Ben. Sadly, she did not succeed but there’s a certain glee when she whacks him across the head in “Dead Is Dead”.

Jack’s stories are less interesting and apart from an Ana-Lucia appearance via hallucination, I really didn’t care for Hurley’s either. Also after playing such a vital role in the previous two years, Desmond is fairly surplus to requirements in the second half of the season. He didn’t even pop in the finale.

As for the gang on the island, stranding them in 1974 with the Dharma Initiative was a bloody genius idea. Also genius was hooking Sawyer and Juliet up as a pair. I didn’t think I would enjoy it as much as I did but they both convinced me and I sort of hated when Jack and Kate reappeared at the halfway point of the season because I knew it was going to be the beginning of the end.

The weird thing is that in the last two seasons, Kate’s been far less irritating but Jack is still largely hit and miss at times and you could trust him to get behind the idea of giving everyone a brand new start without considering the consequences of his actions. However, “The Incident Parts 1 And 2” still maintained the series penchant for ending on a bizarre but intriguing note as well as the sad ending for Juliet.

Similarly strange was the introduction of Jacob. Here was a character who’s been discussed for ages and when we finally meet him, the man posing as Locke tricks Ben into killing him. Better thought out were the introduction of Illana and her crew as well as the genius nudging of Ellie Hawking. Surely she’ll be reappearing in the show’s sixth and final year.

DVD EXTRAS: I say this every time I review this show on DVD but it’s always bears repeating, this show rocks with extras. Okay, the commentaries for “Because You Left” and “He’s Our You” are a bit boring but you get some nice video diaries with Michael Emerson and Nestor Carbonella, the usual behind the scenes look at certain episodes, a nice look at the issue of time travel on the series as well as more on the Dharma Initiative and a splattering of bloopers and deleted scenes.

EPISODE RATING 1 TO 10

5x01: Because You Left = 8/10, 5x02: The Lie = 8/10,
5x03: Jughead = 7/10, 5x04: The Little Prince = 8/10,
5x05: This Place Is Death = 8/10, 5x06: 316 = 9/10,
5x07: The Life And Death Of Jeremy Bentham = 9/10,
5x08: LaFleur = 9/10, 5x09: Namaste = 8/10,
5x10: He’s Our You = 8/10, 5x11: Whatever Happened, Happened = 8/10,
5x12: Dead Is Dead = 7/10, 5x13: Some Like It Hoth = 6/10,
5x14: The Variable = 9/10, 5x15: Follow The Leader = 8/10,
5x16: The Incident Part 1 = 10/10, 5x17: The Incident Part 2 = 10/10.

Friday, January 01, 2010

Geronimo (Doctor Who Season 5 Trailer/Screencaps)

The Doctor (to TARDIS): "Okay, what have you got for me this time?"

Well, judging by the glorious minute long trailer on YouTube and the BBC site, more than enough reasons to prove that Matt Smith is going to be quite the Doctor to watch for in 2010.

Have we ever seen the Doctor this aggressive towards a Dalek before by new series standards? We certainly have now. Some people have complained about seeing Daleks again but shouldn't every Doctor get them in their first year? Besides from the looks it, it's a small scale story anyways and it's supposed to be written by Mark Gatiss.

Rory (Arthur Darvill) and Amy Pond (Karen Gillan) are about to have their lives turned upside down, thanks a certain man. I also think that Amy is definitely a police woman.

The shades sort of work but is Matt Smith going to be a darker Doctor? He certainly seems less bothered by lashing out violently - shooting a gun, punching a professor? Tsk, tsk. The violent aspects remind me of the Sixth Doctor. I hope Matt however has the opposite reception that Six initially got from audiences.

River Song (Alex Kingston) is back but we've known about that for six months already. I hope Moffat can develop her better in her episodes this season than in the previous one.

The Weeping Angels are back. I wonder what they're gonna do next. Also the trailer has shown some vampire brides, a creepy clown thing and something that suspiciously looks like a Silurian as well.

Is this the new TARDIS interior? Not too sure of it yet. It's certainly different but then again for the first since 2005, this literally feels like a brand new show. Exciting, isn't it?


I'm going to be in a minority here but I actually love that Eleven and Amy snog and I don't give a shit what the reason is behind it, though it's probably going to be platonic and it seems to be in the River Song two-parter if Amy's outfit is anything to go. I can deal with the Doctor's snoggage bouts but I'm hoping there's more to Amy than meets the eye if you catch my drift. Plus at the end I think the little girl Eleven is asking for trust is a younger version of Amy.

Trailer:
http://www.youtube.com/watch?v=7tPte4rQMpI&aia=true





My Review of Doctor Who's 4x18: "The End Of Time Part 2"

Written by Russell T. Davies
Directed by Euros Lyn

The Doctor: “I don’t want to go.”

Well that was certainly a week that I thought would never finish up in time. How appropriate that the first episode of 2010 be the one that exited the Tenth Doctor once and for all. The question is, was the wait worth it? For me, it was but this is definitely going to be a dividing episode amongst fandom like its first part was.

Having the first scene with the Time Lords was an interesting move. Sadly, it’s not a new race of them but rather ones that are still time locked and on the verge of destruction. Dalton’s President or should I say, Rassilon is a particularly nasty fellow who had no problem killing a female Time Lord because she thought death was a better option than pointlessly regenerating in an never ending war.

If you were hoping for an epic appearance by Paul McGann or Christopher Eccleston, some Daleks or maybe much needed Time War flashbacks, then this opening scene is a disappointment. Still, Rassilon’s refusal to die does merit the malice that this particular Time Lord has.

Speaking of malice, you’d almost feel sorry for David Tennant being bound and gagged to the same torture chair that John Simm had to endure in the previous episode but what else was The Master going to do with his best enemy? Besides, every now and then, The Doctor could do with a little shutting up.

We’ve seen The Master victorious before but never have we gotten material that will inspire several amounts of slashy Doctor/Master fanfiction for months to come. Having 6 billion versions of The Master, how to resolve it? Well, not in the first half of the episode anyway. That’s better used for trying to add some Donna moments.

I kind of hoped that when The Master realised that Donna had a bit of a metacrisis running through her that it would somehow have an impact in the storytelling. Apart from calling her a freak and trying to capture her, The Master wasn’t all that impressed with it. Still, Donna’s mind did manage to use some sort of shielding to save her before leaving her unconscious in an alley.

I was also hoping that because of her subdued role in the first part that she would be instrumental within the second one. Again, not so much the case. This was still Wilfred’s episode as a main companion and thanks to Addams and Rossiter, they managed to rescue The Doctor and Wilfred and teleport to their own ship.

The Doctor’s jokes about them being a bad rescue team and all were funny enough but the one thing I did appreciate was that Rossiter and Addams didn’t become a threat in the episode. Their mission had been still the same and they wanted no involvement in any of The Master’s hair brained dominion plots. I don’t really blame them.

However The Doctor had no choice but to get involved. If he didn’t, The Master would’ve done even more damage than taking over the human race. The unhinged delight he took in being everybody came back later on when he met up with the Time Lords as well. Having Super Master Time Lords would definitely be a disaster in the making for everyone.

Some of the scenes where various people were as The Master weren’t as scary as the previous episode. Maybe it’s because of the hysterical laughter being kept to a minimum or maybe it was also down to Rassilon’s little White Point Star present descending on Earth for contact purposes as well.

Of course The Master would see the return of his people as a good thing. He wasn’t there during the last acts of the Time War and if he had, he might not have been so welcoming of them at first. The Doctor dropping in on proceedings however soon made him realise that things would get a lot worse for everyone if they came back into full power.

One thing that Russell didn’t learn from “The Stolen Earth”/“Journey’s End” was that while an epic plan that would see the destruction of everything sounds good on paper, it’s actually quite illogical for a villain. Davros wanted to destroy all of reality so that he and his Daleks could rule nothing and the Time Lords have a similarly ludicrous plan of their own.

Wanting to ascend themselves beyond consciousness just seemed daft to me. Timothy Dalton delivered the lines epically but what exactly would it have achieved long term – permanent observation of an empty universe? Hardly the most illuminating of ideas, now is it? No wonder The Doctor was anything but pleased to see his fellow people back.

This thankfully lead to some better scenes. The Doctor’s resisted gun play for a while now and here he went back and forth between temptation to shoot The Master or Rassilon and his people. There was a point where I thought he was going to kill The Master, especially given that in the same position, you’d know The Master wouldn’t hesitate to pull the trigger on him.

However The Doctor didn’t and instead he used the gun to shut down the Immortality Gate and send the Time Lords all back in the hell they were last in. Not as dramatic as it could’ve been but there was a good self-sacrifice moment when The Master realised what Rassilon had done to his mind and decided on a little payback for it.

While I like that The Master didn’t get shot once again, it is going to make things tricky for Steven Moffat to bring him back. Then again, after this little story and the sublime Doctor/Master moments we were given in both parts, maybe we should wait a little while before seeing the rogue Time Lord again.

As for The Master’s little stunt, trust Rassilon to quickly turn everyone back to normal with his little gauntlet. That thing’s genius – it kills and it reverts things to their normal status. Oh well, I guess there was never going to be a hard core science way of reversing the process and it’s not like it was going to be a big deterrent for the story anyway.

There were bigger issues in this episode and one of them was Wilfred. After the first part of this story aired, online suspicious was ripe that he would be revealed as a Time Lord or The Doctor’s father. The Master even made a joke about it when he had the both of them in captivity as well. Even The Doctor admitted that he would be proud if Wilfred had been his father.

That’s without a doubt one of my favourite scenes of the episode. Wilfred and The Doctor have a wonderful father/son dynamic despite the latter being so much older and world weary. Wilfred didn’t want The Doctor and he also demanded him to take his gun and shoot The Master to save everyone while doing the best he could to protect Donna. What a trooper.

Even when Wilfred was trapped in that booth again, he begged The Doctor to leave him. The Doctor was at the point where he was getting more and more agitated about his imminent death, for a moment I thought he would abandon Wilfred but he did.

David Tennant’s best material was during those scenes. Here is an incarnation that’s so loved, clearly by the writer as well as the general public that you would get him not wanting to embrace the idea of death. Soaking up all that energy certainly triggered it but the most memorable thing about this regeneration is how quickly it didn’t happen. And Wilfred was the one who knocked four times.

The Doctor made a vow to Wilfred that he would see him one last time but not before he went about seeing others first. For all you Martha Jones haters out there, I shrieked with delight when she popped up on screen. While I had hoped that Martha would appear, I did find it suspicious that we didn’t have that spoiler leaked early.

Okay, so it’s public knowledge for a while that her and Mickey winded up marrying each other, going freelance and battling Sontarans. If it wasn’t for The Doctor intervening, Martha would’ve been dead by the Sontaran in this episode. I’m not sure if her and Mickey as a couple works, although there’s a nice vibe between Freema Agyeman and Noel Clarke.

The Luke and Sarah Jane appearance in this episode is a little shorter by comparison. Probably because we got a lot of closure with The Doctor and Sarah Jane in “The Wedding Of Sarah Jane Smith” and also because Sarah Jane seemed more than aware that his little appearance would be the last time she saw him in that incarnation. Out of all the companion appearances, it’s arguably the most poignant.

Jack’s scene however is thankfully less angst ridden than anything we saw on “Children Of Earth” but are fans going to be happy that The Doctor played matchmaker between Jack and Alonso Frame? I have a feeling that some of the Ianto purists will hate Russell T. Davies for that one. I think they’re kind of cute and if it means seeing Russell Tovey on Torchwood, then I have no objections.

The most interesting appearance though was Joan Redfern’s descendant Verity Newman. She published The Journal Of Impossible Things and was surprised when she realised who The Doctor was. As a big fan of “Human Nature”/ “The Family Of Blood”, that was a nice surprise and having Jessica Hynes play Verity was a good choice too. Instantly recognisable for casual viewers alike.

Donna’s wedding to Shaun could’ve given one moment where she caught The Doctor’s eye but alas, not so much. However I did like that little lottery ticket gift The Doctor managed to acquire and the scenes with Sylvia, Wilfred and Minnie were a hoot and a half. Out of all the companions, Donna and Wilfred are the two I’m going to miss the most.

Rose’s appearance in this story could’ve been a saccharine touch too far but it would’ve also been extremely odd not to have included her as well. Having The Doctor meet her months before she met Nine was better than seeing her marry his human counterpart and I felt that twinge of nostalgia watching their scenes together.

The Ood singing to The Doctor as we got to the point of regeneration added some nice creepiness to proceedings. It was only natural that Ten was going to regenerate alone in his TARDIS and while I didn’t ball my eyes out, David Tennant’s last moments as he changed into Matt Smith were certainly something else.

Speaking of Matt Smith, I was actually glad that his Doctor got nearly three minutes of screen time. The TARDIS was burning up like mad and heading for Earth once again. As an introductory scene, it hit the right spot. Things change and while The Doctor now looks like a different man again, he’s still with us. I’d rather that the alternative. Welcome aboard, Matt.

Also in “The End Of Time Part 2”

David Tennant, John Simm and Bernard Cribbins were all credited for this episode’s titles once again. Matt Smith got the “And Introducing” bit at the end.

The Master (to The Doctor gagged): “Nothing to say, Doctor? What’s that? Pardon? Sorry?”

David Tennant must have been glad when his scenes with that chair came to an end. He was definitely in it a lot longer than John Simm was.

Donna (to Wilfred): “My head is getting hotter and hotter.”

The Doctor (gag removed, to The Master/Wilfred): “Ah, that’s better, but really, did you think I’d leave my best friend without any defence mechanism?”

The Doctor and The Master travelling in the TARDIS together, a series we’ll never get. The Master did seem to lose interest in acquiring it as well after The Doctor escaped.

Rossiter: “There’s too many buckles and straps.”
Addams: “Just wheel him.”
The Doctor: “No, no, no.”

Wilfred: “I think I’m lost.”
The Woman: “And yet, you are found. Events are closing in; the day is almost upon us.”

Why didn’t RTD reveal who The Woman actually was in this episode? It’s obvious that she’s a Time Lord that The Doctor recognised – his mother? Romana?

The Doctor: “I’d be proud.”
Wilfred: “If what?”
The Doctor: “If you were my dad.”

The Master: “Keep watching, Doctor. This should be spectacular.”

Gallifrey briefly appeared in the sky once again, almost twice the size of Earth. Sylvia’s reaction was different than when she saw the twenty six planets in the sky.

Wilfred (to Addams, re The Doctor): “I ain’t leaving that man on his own, not today.”

Rossiter: “What about The Doctor?”
Addams: “He said he was dying.”

During the bar scenes with Jack and Alonzo, we saw a Hath, Slitheen, Judoon, red and while coloured aliens and an Adipose.

The Doctor: “That’s what you opened up above the Earth, hell.”
The Master: “My kind of world.”

The Doctor (to Rassilon/Time Lords): “The link is broken. Back into the Time War, Rassilon, back into hell.”

This episode clocked in at 72 minutes long, the longest for the new series so far. The Confidential was also appropriately called, “Allons-y”.

Wilfred: “I’m sorry. Just leave me.”
The Doctor: “Okay, right then, I will. Because you had to go in there. You had to go in there and get stuck, of course.”

Mickey: “I told you to stay behind.”
Martha: “You look like you needed help.”

It would’ve been nice if RTD had never got Martha engaged to Tom only to do the big switch with Mickey. At least they’re both happy with each other. She also calls herself Smith-Jones now.

Jack: “So, Alonzo, going my way?”
Alonso: “How did you know my name?”
Jack: “I’m kind of psychic.”

The Doctor (re Joan): “Was she happy in the end?”
Verity: “Yes, yes she was. Were you?”

American viewers will be able to catch this episode at 8.30pm on BBC America from January 2nd.

Nerys: “You made me wear a peach.”
Donna: “Because you are a peach.”

The Doctor: “I bet you’re gonna have a really great year.”
Rose: “Yeah, see ya.”

David Tennant, John Simm and Euros Lyn have provided the commentary for this episode on DVD, which comes out on January 11th.

Ood Sigma: “We will sing to you, Doctor. The universe will sing you to your sleep.”

The Doctor: “Legs. I've still got legs! (kisses his knee) Good! Arms, hands, ooh, fingers, lots of fingers. (examines his head) Ears, yes, eyes, two, nose... I've had worse. Chin, blimey! Hair... I'm a girl! No! no! I'm not a girl! And, and still not ginger! There's something else, something important. I'm, I'm... crashing! (laughs hysterically) Geronimo!! .”

There was no proper Series Five trailer at the end of this episode. We just got a look at the new titles and were told that it would arrive in Spring. ETA: One appeared on the BBC site and is available on YouTube. Looks brilliant.

“The End Of Time Part 2” was always going to have a difficult task but for the most part, I think it was great way to end both Russell T. Davies and David Tennant’s eras on the show. Both will be sadly missed but the show is going nowhere and I can’t wait to see what’s going to happen next.

Rating: 10 out of 10.

Thursday, December 31, 2009

My Review of Doctor Who's: "Planet Of The Daleks"

Written by Terry Nation
Directed by David Maloney

Supreme Dalek: “The Daleks are delayed, never defeated.”

For Jon Pertwee’s penultimate season, they certainly pulled out the stops. Multiple Doctors in the first story and the cavalcade of The Master, Ogrons and Daleks in the previous story. This one is a continuation of that and while it’s not as compelling as the previous one, it does have its moments.

Landing on Spiridon for instance. The Doctor was badly wounded in the last story and made an effort to alert the Time Lords about what the Daleks were getting up to. The problem was that even The Doctor’s endurance only lasts for so long and he found himself in a coma for a good part of the first episode.

Jo Grant can often get a bad rap for being ditzy but over the duration of her tenure, she has gotten somewhat better and better. Here, instead of sulking about The Doctor’s coma, she takes the risky initiative into stepping out on Spiridon’s world in order to try and get some help for her friend.

I know it’s not exactly the most extraordinary thing in the world to do because every companion would’ve done exactly the same thing but fair play to Jo nonetheless. By stepping out into the world, she might have gotten the misfortunate of being poisoned for a while but she also stepped things into gear.

The Thals that landed on Spiridon wouldn’t have met up with The Doctor as quickly if she didn’t alert them to his current condition and when it came to trying to defeat the Daleks, the likes of Taron, Rebac, Vaber, Codal and Latep certainly wouldn’t have gotten as far without his help.

In the last story, the Daleks were planning yet another crack at taking over the universe. Here there’s no Master or Ogrons for back breaking stuff or pithy commentary. Instead the mostly subjugated Spiridon residents are helping their new masters, despite one of them rebelling to save Jo’s life.

When Wester later wanted to talk to the Dalek in command, I had a feeling that he was about to give up The Doctor, Jo and the Thals for some reason or another. Instead he risked his life to infect a few Daleks but killed himself in the process. It was noble of him but also a little stupid in respect.

The Daleks usually have some great schemes in a lot of their stories and while planning to release a bacteria that would kill everything on Spiridon as well as ensuring that they themselves were immunised made sense, it didn’t come off as well for them. Spiridon as a planet could be as a good but with molten ice pools, why risk it?

Also because I have to point it out, but is this one of the few Dalek stories that both the pepper pots and The Doctor largely don’t interact with one another? There’s one or two little scenes but for six episodes, they’re rather few and far between. I kind of wanted some proper Doctor/Dalek dialogue.

Also while it seemed to have taken the longest of times to actually reveal the Daleks big plan, it also felt like it was resolved in seconds as well. Having 10,000 Daleks in suspended animated is pretty good temporary solution for halting an invasion, but wouldn’t finding some more explosives to destroy them while in that state also have been a good one?

In terms of the Daleks, even then the Supreme Dalek actually managed to escape and nearly got a lucky shot at The Doctor. I think it’s the first story I’ve seen with the Supreme Dalek and it’s certainly a stylish design that’s done for the Dalek in command. Too bad they waited until the last episode to bring it in. Some proper scenes with the Supreme Dalek and The Doctor would’ve done wonders for this story in all fairness.

As for the Thal characters, this is probably the strongest thing about the story. None of them felt like ciphers. While Vaber and Taron’s opposing views about using explosives got a little tiresome, it was sort of easy to see both sides of their arguments. Similarly it was also easy to see why Taron found his affection for Rebac problematic.

Also this story had some wonderful exchanges between The Doctor and scientist Codal on the nature of bravery as well. Out of all of the Thals, Codal was probably my favourite and I’m pretty glad he survived and while the Jo/Latep love thing was a little rushed, I did feel bad for the latter when Jo declined his invitation to Skaro. You’re probably doing the right thing there, Jo.

Also in “Planet Of The Daleks”

Given the title, I think it was a shame that this didn’t actually take place on Skaro. I suppose they needed certain plot devices though – serious cold, Spiridon invisibility, etc.

Taron: “There’s no such place as Earth. It’s just a name in our old legends. It doesn’t really exist.”
Jo: “Believe me it does.”

There’s a nice reference to Susan, Barbara and Ian and “The Daleks” in this story. That made me smile.

The Doctor: “You still don’t trust me?”
Taron: “Why should I? You come here out of nowhere and claim to be something of a legend.”
The Doctor: “Yes, I see your point but I am on your side.”

The Doctor: “There’s a considerable difference between courage and reckless stupidity you know.”

This is the second story in a row where The Doctor’s had to convince someone that he’s from a legend long ago.

Codal: “Well, the one thing we have got is time.”
The Doctor: “On the contrary my friend. The Daleks don’t intend to let us rot down here.”

Codal: “That little machine of yours has quite an effect.”
The Doctor: “Had quite an effect. Not anymore I’m afraid. You know for a man who abhors violence, I must say I took great satisfaction in doing that.”

Interesting method of escape with The Doctor and Thals using the hot air and some materials to rise themselves away from the Daleks.

The Doctor: “You know after this, I really must take up hot air ballooning. It really is most exhilarating.”
Rebac: “I’d prefer a rocket to take me off this planet.”

The Doctor (to Taron): “It’s a good feeling, isn’t it? When the hunted become the hunters.”

I must say I was impressed with Jo’s little way of pointing to Earth for The Doctor to take her home.

Dalek 1: “Who is he?”
Dalek 2: “He is the one known as The Doctor, the greatest enemy of the Daleks.”

The Doctor (to Taron): “When you get back to Skaro, you’ll be national heroes. Everybody will want to learn about your adventures. So be careful how you tell that story. Don’t glamorise it. Don’t make war sound like an exciting, thrilling game.”

This was released on DVD in October 2009 as part of Dalek War box set with “Frontier In Space”. There’s a really good commentary from Katy Manning, Prentis Hancock, Tim Preece, Barry Letts and Terrance Dicks.

I don’t think you’ll ever get a genuinely awful Dalek story out there but you’ll certainly get ones that are stronger than others. “Planet Of The Daleks” has a lot going for it but it felt rather slight after the previous story and the following story definitely surpasses it as well.

Rating: 7 out of 10.

2009, That Was A Year


Best Show (UK): Torchwood. The first two seasons were fun but Season 3 certainly took the show to a new level.

Worst Show (UK): Big Brother 10. Thank God this shit is ending in 2010.

Best Show (US): True Blood. When I fall for a show, I fall hard and this I fell for.

Worst Show (US): 90210. More vacuous crap courtesy of CW.

Best Villain: The Master in Doctor Who. Closely followed by Maryann in True Blood.

Worst Villain: Danko in Heroes. Dullest too.

Best TV Death: Juliet Burke in Lost. Also tempted to say George in Grey's Anatomy too.

Worst TV Death: Tracy's not a death in Heroes. Edie in Desperate Housewives as well. She deserved something better.

Shocking TV Moment: The second season finale of Ashes To Ashes. Coma within a coma. The hell?

Sexiest Male On TV: Russell Tovey in Being Human. How can you not love George?

Sexiest Female On TV: Is it early to include Karen Gillan? Okay then, Anna Paquin from True Blood then.

Best Finale: Although I'm still watching it, I'm gonna say Doctor Who's The End Of Time two parter.

Yes, Kids Are Annoying: The Scavo twins in Desperate Housewives. Two years in a row.

Neither Use, Nor Ornament: Holly Harper and Ryan Lafferty in Brothers And Sisters. Take the hint, writers and do away with them already.

Good Reality TV: The Apprentice. Come on, it's the only thing in this genre I get into.

Bad Reality TV: Big Brother 10. At least it's ending.

Best Gay Couple: Kevin Walker/Scotty Wandall in Brothers And Sisters. Emily and Naomi from Skins come a close(ish) second.

Worst Gay Couple: Julia McNamara/Olivia Lord in Nip/Tuck. Look at the shitty way they killed off the latter as well.

Best Straight Couple: Jessica Hambry/Hoyt Fortenberry in True Blood. Genius idea and the most believable couple on the show.

Worst Straight Couple: Bree/Orson in Desperate Housewives. Talk about devolution in a big way.

Best Guest Appearance: John Simm on Doctor Who. Thank God the Master was the last big villain for David Tennant's last story.

Worst Guest Appearance: Lindsay Lohan in Ugly Betty. Dull.

Killed Too Soon: Jacob in Lost. Why introduce him to kill him off, guys?

Difficult Season: Heroes. Season Three failed to improve the show and Season Four seemingly isn't helping either.

Best Male Character: The Doctor in Doctor Who. I'm gonna miss his tenth incarnation while looking forward to his eleventh one.

Worst Male Character: Paul Ballard in Dollhouse. Boring character, even if the second season has made him slightly more tolerable.

Best Female Character: Tara Thornton in True Blood. Rutina Wesley is arguably the best actress on the show and it's hard not to love her character.

Worst Female Character: Claire Bennett in Heroes. I had to pick someone, didn't I? Maybe Katherine Mayfair from Desperate Housewives as well.

Most Improved Show: Lost. Season 5 was wonderful.

Least Improved Show: Nip/Tuck. Season 5 wasn't.

Best TV Partnership: The Doctor/Wilfred Mott in Doctor Who and Alex Drake/Gene Hunt in Ashes To Ashes.

Worst TV Partnership: Sean and Christian in Nip/Tuck. And I used to love their dynamic.

Best Use Of Music: Skins. This show fires on all cyclinders on that front.

HoYay Award: Doctor/Master in Doctor Who. Mind-tapping, bondage ahoy. You'd almost think David Tennant and John Simm would go gay for each other.

2010 Hopeful: Glee, which looks awesome.

I'll edit this later to include more stuff.